The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
Wollatton Hall, the seat of the Right Hon. Digby Willoughby, the seventh
Baron Middleton, is situate three miles west of Nottingham, in the
centre of a finely wooded park, remarkable for a judicious combination
of wood and water. It stands on a considerable elevation, and is seen
from all parts of the surrounding country; of which, consequently, it
commands extensive views--not only of rich and fertile valleys, but of
one of the busiest and most populous of manufacturing towns. We give on
this page an engraving of the north entrance to the mansion.
The mansion was erected by Sir Francis Willoughby, Knt., towards the
close of the sixteenth century, as we learn from an inscription
[Illustration]
over one of its entrances. In the old history of the county of
Nottingham by Thoroton there is a descent of this family, down to the
builder of the present Mansion, whose daughter Bridget married Sir
Percival Willoughby, of another branch of the family. Sir Percival left
five sons, the eldest of whom, Sir Francis, who died in 1665, was father
of Francis Willoughby, Esq., one of the greatest _virtuosi_ in Europe.
His renowned history of birds was published in Latin after his death, in
1676. He died in 1672, leaving two sons and one daughter. The latter,
Cassandra, was married to James Duke of Chandos. The eldest son died
unmarried, in his twentieth year. The second son was created a peer in
the tenth of Queen Anne, A.D. 1711. In 1781, on the death of Thomas Lord
Middleton without issue, the estate and its honours descended to Henry
Willoughby, Esq., of Birdfall, county of York. It is a remarkable
circumstance, that up to the present time the heir-at-law, in
consequence of there being no proximate issue, has always been a remote
member of the family.
The exterior of the mansion is peculiarly grand and imposing. It is in
the fashion of Queen Elizabeth’s reign,--or rather the fashion just then
beginning to be introduced,--and is in the Italian style, but of Gothic
arrangement. It is square, with four large towers adorned with
pinnacles; and in the centre the body of the house rises higher, with
projecting coped turrets at the corners. The front and sides are adorned
with square projecting Ionic pilasters; the square stone pillars are
without tracery; and “the too great uniformity of the whole is broken by
oblong niches, circular ones filled
[Illustration]
with busts of philosophers, &c., and some very rich mouldings;” “In the
richness of its ornaments it is surpassed by no Mansion in the kingdom.”
The accompanying engraving represents the Terrace and south entrance to
the mansion.
Public-domain text, read in full here on John Shaqi.
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