Christmas stories, English; England -- Social life and customs -- 19th century -- Fiction
Not like opera-dancers. Not at all. And not like Madame Anybody’s
finished pupils. Not the least. It was not quadrille dancing, nor
minuet dancing, nor even country-dance dancing. It was neither in the
old style, nor the new style, nor the French style, nor the English
style: though it may have been, by accident, a trifle in the Spanish
style, which is a free and joyous one, I am told, deriving a delightful
air of off-hand inspiration, from the chirping little castanets. As they
danced among the orchard trees, and down the groves of stems and back
again, and twirled each other lightly round and round, the influence of
their airy motion seemed to spread and spread, in the sun-lighted scene,
like an expanding circle in the water. Their streaming hair and
fluttering skirts, the elastic grass beneath their feet, the boughs that
rustled in the morning air—the flashing leaves, the speckled shadows on
the soft green ground—the balmy wind that swept along the landscape, glad
to turn the distant windmill, cheerily—everything between the two girls,
and the man and team at plough upon the ridge of land, where they showed
against the sky as if they were the last things in the world—seemed
dancing too.
At last, the younger of the dancing sisters, out of breath, and laughing
gaily, threw herself upon a bench to rest. The other leaned against a
tree hard by. The music, a wandering harp and fiddle, left off with a
flourish, as if it boasted of its freshness; though the truth is, it had
gone at such a pace, and worked itself to such a pitch of competition
with the dancing, that it never could have held on, half a minute longer.
The apple-pickers on the ladders raised a hum and murmur of applause, and
then, in keeping with the sound, bestirred themselves to work again like
bees.
The more actively, perhaps, because an elderly gentleman, who was no
other than Doctor Jeddler himself—it was Doctor Jeddler’s house and
orchard, you should know, and these were Doctor Jeddler’s daughters—came
bustling out to see what was the matter, and who the deuce played music
on his property, before breakfast. For he was a great philosopher,
Doctor Jeddler, and not very musical.
‘Music and dancing _to-day_!’ said the Doctor, stopping short, and
speaking to himself. ‘I thought they dreaded to-day. But it’s a world
of contradictions. Why, Grace, why, Marion!’ he added, aloud, ‘is the
world more mad than usual this morning?’
‘Make some allowance for it, father, if it be,’ replied his younger
daughter, Marion, going close to him, and looking into his face, ‘for
it’s somebody’s birth-day.’
‘Somebody’s birth-day, Puss!’ replied the Doctor. ‘Don’t you know it’s
always somebody’s birth-day? Did you never hear how many new performers
enter on this—ha! ha! ha!—it’s impossible to speak gravely of it—on this
preposterous and ridiculous business called Life, every minute?’
‘No, father!’
Public-domain text, read in full here on John Shaqi.
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