Christmas stories, English; England -- Social life and customs -- 19th century -- Fiction
‘No, not you, of course; you’re a woman—almost,’ said the Doctor.
‘By-the-by,’ and he looked into the pretty face, still close to his, ‘I
suppose it’s _your_ birth-day.’
‘No! Do you really, father?’ cried his pet daughter, pursing up her red
lips to be kissed.
‘There! Take my love with it,’ said the Doctor, imprinting his upon
them; ‘and many happy returns of the—the idea!—of the day. The notion of
wishing happy returns in such a farce as this,’ said the Doctor to
himself, ‘is good! Ha! ha! ha!’
Doctor Jeddler was, as I have said, a great philosopher, and the heart
and mystery of his philosophy was, to look upon the world as a gigantic
practical joke; as something too absurd to be considered seriously, by
any rational man. His system of belief had been, in the beginning, part
and parcel of the battle-ground on which he lived, as you shall presently
understand.
‘Well! But how did you get the music?’ asked the Doctor.
‘Poultry-stealers, of course! Where did the minstrels come from?’
‘Alfred sent the music,’ said his daughter Grace, adjusting a few simple
flowers in her sister’s hair, with which, in her admiration of that
youthful beauty, she had herself adorned it half-an-hour before, and
which the dancing had disarranged.
‘Oh! Alfred sent the music, did he?’ returned the Doctor.
‘Yes. He met it coming out of the town as he was entering early. The
men are travelling on foot, and rested there last night; and as it was
Marion’s birth-day, and he thought it would please her, he sent them on,
with a pencilled note to me, saying that if I thought so too, they had
come to serenade her.’
‘Ay, ay,’ said the Doctor, carelessly, ‘he always takes your opinion.’
‘And my opinion being favourable,’ said Grace, good-humouredly; and
pausing for a moment to admire the pretty head she decorated, with her
own thrown back; ‘and Marion being in high spirits, and beginning to
dance, I joined her. And so we danced to Alfred’s music till we were out
of breath. And we thought the music all the gayer for being sent by
Alfred. Didn’t we, dear Marion?’
‘Oh, I don’t know, Grace. How you tease me about Alfred.’
‘Tease you by mentioning your lover?’ said her sister.
‘I am sure I don’t much care to have him mentioned,’ said the wilful
beauty, stripping the petals from some flowers she held, and scattering
them on the ground. ‘I am almost tired of hearing of him; and as to his
being my lover—’
‘Hush! Don’t speak lightly of a true heart, which is all your own,
Marion,’ cried her sister, ‘even in jest. There is not a truer heart
than Alfred’s in the world!’
‘No-no,’ said Marion, raising her eyebrows with a pleasant air of
careless consideration, ‘perhaps not. But I don’t know that there’s any
great merit in that. I—I don’t want him to be so very true. I never
asked him. If he expects that I— But, dear Grace, why need we talk of
him at all, just now!’
Public-domain text, read in full here on John Shaqi.
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