English fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"Write thick over somebody else's name." Paul was conscious of Miss
Brooke speaking to him in almost a whisper; then in a moment she had
bowed and moved off. He could not help feeling angry with the man for
taking her away, and his displeasure showed itself in his face. There
seemed, too, something proprietorial in the way "the confounded fellow"
walked off with her, and a thousand foolish conjectures hustled in his
brain. However, he remembered he had Miss Brooke's programme, which,
together with her last injunction, formed a comforting assurance she
had taken him into special favour. It had been decidedly nice to
talk to this girl, who seemed just the sort of person--simple and
straightforward despite her wonderful charm--he felt he could get on
with, and it gave him pleasure to picture her again sitting by his side,
fresh, cool, sweet, and surpassingly beautiful.
After lingering a little he went into the ballroom again. Miss Brooke's
figure alone drew his eye--the rest of the world was a mere dancing
medley. She was obviously enjoying her dance, and Paul found himself
envying her partner his easy mastery of the American waltz step. He
could not help observing now what a superb note she struck in that
crowd. He could see, too, she was being noticed, and divined talk about
her by many moving lips.
He found an opportunity of returning her programme, which she received
with a marked look of surprise that changed into a smile of thanks. Paul
was much puzzled. Her manner seemed to make it appear that she had
dropped the programme and he had picked it up. He rather resented this,
till it occurred to him she had slipped it into his hand so as not to be
seen by her present cavalier, and probably she had played this little
comedy because she did not want to rouse his suspicion. Paul's fears
that the man might be something to her were reawakened, but they were
palliated by a sense of triumph over him. Had not Miss Brooke played a
part--for his sake?
Public-domain text, read in full here on John Shaqi.
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