Man-woman relationships -- Fiction; Married women -- Fiction; Rich people -- Fiction
"Humph!" interrupted her husband, with as much of a snort as a mouthful
of game would permit, "I tell you it's a pretty tough thing for all of
us to see old Hepworth looking so happy." He thrust out his lower lip
and wrinkled up his eyes until he bore a grotesque likeness to a baby
about to cry. "Hepworth's my best friend, and to see that look of almost
boyish joy on his face was pretty hard. There are some things you can do
and some you can't; now one of these things that no man can afford to do
is to marry outside his own class. I could have told Cress so."
The other members of this intimate little coterie of friends, five in
all, looked at one another and burst into involuntary laughter.
Wallace Martin, an old young man, a magazine writer, who would fain be a
playwright, gave the single bark of mirth which served him for an
explosion of laughter. It sounded particularly derisive now.
"I would give my little all to have the new Mrs. Hepworth hear you say
that," he chuckled. "Dear old Hewston, she would not in a thousand years
consider any of us in her class. She belonged, let me inform you, to one
of the oldest of southern families. Her mother was a cotton princess of
the loveliest and haughtiest variety. One of the famous belles of her
day. Her father, too, was of the old South."
"Why, what are you talking about?" growled Hewston irascibly. "She
hadn't a dime--was a beautiful cloak model or something of that kind."
"She painted dinky things for a living, if you mean that," said Martin
carelessly, "lamp-shades and menu cards and such."
"If she only had some friends, even one relative," deplored Mrs.
Hewston, "it would look so much--er--nicer, you know. Relatives do add a
background." She shook her head regretfully.
"We'll have to be her relatives," said Maud Carmine, a niece of Mrs.
Hewston and a plain rather faded young woman of pale and indefinite
tints and many angles. Her claim to distinction rested on the fact that
she was a drawing-room musician of--strange anomaly--real musical
feeling. It was her misfortune always to be explained by those who found
her tact, good nature and practical common sense useful, and who drew
heavily on them, as, "not attractive looking, you know; but pure gold,
and one of the most dependable persons," and this damning tribute of
friendship served as an admirable check to further curiosity concerning
her. "Yes, we must be her background." Her glance lingered for a moment
on Wallace Martin, but he returned it briefly and indifferently.
"A young woman who has just married millions needs no family group,"
remarked Alice Wilstead lightly. "The most effective background is her
husband."
"Gad!" Mr. Hewston put down his knife and fork to glare at her. "The
idea of looking at Hepworth as a background. He who has always been in
the front of everything. A background! And for a snub-nosed chit of a
girl!"
"Oh, Willoughby, dear, not snub-nosed," expostulated his wife mildly.
Public-domain text, read in full here on John Shaqi.
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