Man-woman relationships -- Fiction; Married women -- Fiction; Rich people -- Fiction
"Snub-nosed, I said," insisted Willoughby. "Didn't I walk up the aisle
with her?"
"Hush, dear, hush," murmured his wife. "Here she comes now."
The bride was leaving. Passing through the handsome, stiff apartments
like a white cloud, to make ready for the journey before her, she
stopped a moment for a word or two with Maud Carmine as she paused at
that table.
Hewston rose reluctantly to his feet. "I once heard of a wedding," he
said confidentially and hopefully to Wallace Martin, "where the bride
went up to change her gown, and never showed up again."
"Where did she go?" asked Wallace with interest.
"Dunno," returned Willoughby. "Old lover. Fourth dimension.
Unexplainable, but fact, I assure you."
CHAPTER II
A FAR WORLD OF DREAMING
The bride had passed through the admiring groups with a smile here, a
word there and was already half up the stairway, above the voices, the
heavy flower scents, the sentimental melodies which stole from the
musicians' bower. On, a white, mystic figure, her veil floating behind
her; on, without undue haste, but most eagerly, as if she climbed some
mount which led from the world to a desired solitude.
On the first landing she paused, leaning for a moment, Juliet-like as
from a balcony, and looked down on the moving mosaic of color beneath,
the gay, light tones of the women's gowns thrown into relief by the dark
coats of the men. The gazers paid her the tribute of involuntary "Ohs,"
and barely restrained themselves from applause as if at the appearance
of their favorite actress. As usual Perdita had made a picture of
herself, an involuntary and unpremeditated picture; but in effect beyond
the calculations of the most vigilant stage manager.
She stood with one arm lightly upraised holding her bouquet of white
jasmine above her laughing face. Behind her, a stained glass window,
before her the marble balustrade. Then the bouquet, its white ribbons
waving and circling, whirled through the air, over the sea of upturned
faces and white clutching hands and straight into Alice Wilstead's arms.
With the laughter and clamor of voices ringing in her ears, Perdita,
hidden from sight now by a turn of the staircase, followed, with
unconcealed haste, the crimson velvet pathway which led to solitude.
At the top of the stairs she hesitated briefly, glancing right and left.
She had been in the house but twice before, both times under the
chaperonage of Mrs. Hewston, and she was not sure of the exact
geographical position of her own suite of apartments.
At this moment her maid, engaged from that morning, stepped forward and
threw open a door. Perdita smiled approval. It would have been
difficult to withhold it. Olga, a paragon of maids, if references and
experience count, showed no signs of the wear and tear of previous
mistresses. She was delightful in appearance, rosy-cheeked, amiable,
immaculate, with that air of trained capability which invites
confidence.
Public-domain text, read in full here on John Shaqi.
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