The Beaux-Stratagem: A comedy in five acts — John Shaqi
The Beaux-Stratagem: A comedy in five actsFarquhar, George
General
The Beaux-Stratagem: A comedy in five acts
Farquhar, George
Comedy plays; English drama (Comedy)
_Gib._ I ask you his name?
_Arch._ Name, sir,--_Tall, all, dall_--I never asked him his name in my
life. _Tall, all, dall._
_Bon._ What think you now?
_Gib._ Plain, plain; he talks now as if he were before a judge: but
pray, friend, which way does your master travel?
_Arch._ On horseback.
_Gib._ Very well again; an old offender--Right; but, I mean, does he go
upwards or downwards?
_Arch._ Downwards, I fear, sir! _Tall, all._
_Gib._ I'm afraid thy fate will be a contrary way.
_Bon._ Ha! ha! ha! Mr. Martin, you're very arch--This gentleman is only
travelling towards Chester, and would be glad of your company, that's
all--Come, Captain, you'll stay to-night, I suppose; I'll show you a
chamber----Come, Captain.
_Gib._ Farewell, friend----[_Exeunt_ GIBBET _and_ BONIFACE.
_Arch._ Captain, your servant----Captain! a pretty fellow! 'Sdeath,
I wonder that the officers of the army don't conspire to beat all
scoundrels in red but their own.
_Enter_ CHERRY.
_Cher._ Gone, and Martin here! I hope he did not listen: I would have
the merit of the discovery all my own, because I would oblige him to
love me. [_Aside._]--Mr. Martin, who was that man with my father?
_Arch._ Some recruiting sergeant, or whipped out trooper, I suppose.
_Cher._ All's safe, I find. [_Aside._
_Arch._ Come, my dear, have you conned over the catechism I taught you
last night?
_Cher._ Come, question me.
_Arch._ What is love?
_Cher._ Love is I know not what, it comes I know not how, and goes I
know not when.
_Arch._ Very well, an apt scholar. [_Chucks her under the Chin._] Where
does love enter?
_Cher._ Into the eyes.
_Arch._ And where go out?
_Cher._ I won't tell you.
_Arch._ What are the objects of that passion?
_Cher._ Youth, beauty, and clean linen.
_Arch._ The reason?
_Cher._ The two first are fashionable in nature, and the third at court.
_Arch._ That's my dear--What are the signs and tokens of that passion?
_Cher._ A stealing look, a stammering tongue, words improbable, designs
impossible, and actions impracticable.
_Arch._ That's my good child, kiss me.----What must a lover do to obtain
his mistress?
_Cher._ He must adore the person that disdains him, he must bribe the
chambermaid that betrays him, and court the footman that laughs at
him!----He must, he must----
_Arch._ Nay, child, I must whip you if you don't mind your lesson; he
must treat his----
_Cher._ O! ay, he must treat his enemies with respect, his friends with
indifference, and all the world with contempt; he must suffer much, and
fear more; he must desire much, and hope little; in short, he must
embrace his ruin, and throw himself away.
_Arch._ Had ever man so hopeful a pupil as mine? Come, my dear, why is
love called a riddle?
_Cher._ Because, being blind, he leads those that see; and, though a
child, he governs a man.
_Arch._ Mighty well--And why is love pictured blind?
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