Children -- Fiction; Families -- Fiction; Small cities -- Social life and customs -- Fiction; Summer -- Fiction
The town was long and very narrow. From Elm Street you could look
down some of the cross streets to the river, and beyond. On the other
side of Elm Street, as soon as you had passed the gardens that lay
behind the big houses, you were almost in open country. There were a
few outlying farms, a few shanties, and then bare, scrubby fields, the
Common Pasture, rocky knolls and clumps of woods. On one of these farms
dwelt Mr. Diggery,--a fierce little man, of whom we went in terror.
So near did the river come to the lower part of the town that a storm
often made people who lived in that quarter need high boots to get
across the street; while the country (unexplored wilds to us!) closed
up so near on the other side of Elm Street, that owls, woodchucks, and
an occasional fox penetrated the gardens.
It was this nearness of the river and ocean, and of the open country,
that made the town such a delightful dwelling-place for us. Even the
centre of the town, the neighborhood where Ed Mason and Jimmy Toppan
lived, and Rob Currier, the two Carters, Horace Winslow, Peter Bailey,
and I,--this was a region thick with the possibilities of adventure.
Much of this centred about the frog pond and the Mall. The pond was
full of goldfish, and other humbler fish, and toads, frogs, and
water-beetles. You were sure to find something interesting whenever you
walked around the pond. Many of our neighbors on Elm Street owned large
gardens, to which we had entrance--either by permission, or by the
informal and far more adventurous method of climbing the back fence.
The owners of the gardens, at that period, were mostly elderly persons,
dwelling in great contentment and the most profound quiet. Their lives
were comfortable, well-ordered, and precise. They lived mainly in the
past. They pondered much on some grandfather, or great-grandfather, who
had built up a fortune through foreign trade, and they heeded not at
all the remarks of envious and ill-natured folk who liked to point out
that one of the chief commodities of this trade was rum. The principal
hallmark of their respectability was a portrait of their ancestor, with
very pink cheeks,--the sign of an outdoor life, and not necessarily an
indication of a taste for port and madeira.
Beside this venerable portrait would hang a lively representation
of the ship _Sally B._, as she appeared on some memorable occasion
entering the harbor of Singapore, and viewed by one of those artists
who invariably happen to be near by when the ship is under full sail
and making not less than twelve knots.
Public-domain text, read in full here on John Shaqi.
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