The Benefit of the Doubt; a Comedy in Three ActsPinero, Arthur Wing
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The Benefit of the Doubt; a Comedy in Three Acts
Pinero, Arthur Wing
English drama -- 19th century
It doesn’t matter. [_He goes out. For a few moments she remains quite
still; then she rouses herself, and, with a blank look, wanders about,
her arms moving restlessly. Suddenly she presses her hands to her brow
and sinks into a chair, with a low half-cry, half-moan._] Oh! oh!
[_After a short burst of crying she examines her wedding-ring, removes
it from her finger, and giving a little laugh, flings it on to the
settee. Then she rises, and with an air of determination goes to the
writing-table._] Very well! very well!
[_She sits before the writing-table and writes rapidly. At
intervals she utters an exclamation; then sings as she
writes. The doors are opened, and_ HORTON _enters_.
HORTON.
[_Collecting the tea-cups._] Beg pardon, ma’am.
THEOPHILA.
[_Writing._] Mr. Fraser has gone out, hasn’t he?
HORTON.
He have, ma’am.
[HORTON _places the tea-cups on the tea-tray, lifts up the
tray, and is about to carry it out_.
THEOPHILA.
Oh, Horton, what became of the bonnet and cape I came in with?
HORTON.
[_Looking off._] Mrs. Emptage lay them down in the next room. Here they
are, ma’am.
THEOPHILA.
Just give them to me. [HORTON _goes off and immediately returns with the
bonnet, cape, and gloves_.] Thanks.
[HORTON _arranges the cape over the back of a chair, places
the bonnet and gloves on the table, and withdraws.
Having finished her letter and addressed an envelope,
she rises and searches for her wedding-ring; finding
this she slips it into the letter, and fastens the
envelope. Then, keeping the letter in her hand, she puts
on her bonnet and cape, standing before the mirror._ SIR
FLETCHER _enters, looking disturbed and dejected_;
CLAUDE _follows, downcast, silent, and morose, and walks
about aimlessly, staring at the carpet_.
SIR FLETCHER PORTWOOD.
[_Discovering_ THEOPHILA.] Oh, going out, my dear?
THEOPHILA.
I want a little walk—alone.
SIR FLETCHER PORTWOOD.
To walk it off, eh? [_Ruffling his hair._] I find I can’t walk it off;
I’ve been into the Euston Road; I don’t think I can be well.
Fortunately, I have a box of most remarkable pills at my chambers. They
are prepared by Gilliburton of 88 Piccadilly. Don’t forget the
number—eighty-eight. Two eights. That’s my system of artificial memory.
Eighty-eight—two eights.
THEOPHILA.
[_Going to him, and kissing him, leaning across the settee._] Good-bye,
uncle.
SIR FLETCHER PORTWOOD.
Public-domain text, read in full here on John Shaqi.
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