The best short stories of 1918, and the yearbook of the American short story — John Shaqi
The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
A minute later Nag Hong Fah walked over to the other end of Pell Street
and entered a liquor-store which belonged to the Chin Sor Company, and
was known as the “Place of Sweet Desire and Heavenly Entertainment.” It
was the gathering-place for the Chinese-born members of the Nag family,
and there he occupied a seat of honor because of his wealth and charity
and stout rectitude.
He talked for about half an hour with the other members of his clan,
sipping fragrant, sun-dried Formosa tea mixed with jessamine-flowers,
until he had made for himself a bullet-proof alibi.
The alibi held.
For he is still at liberty. He is often heard to speak with regret—nor
is it hypocritical regret—about the murder of Señora Garcia, the old
Spanish woman who kept the shop around the corner. He is a good customer
of her nephew, Carlos, who succeeded to her business. Nor does he trade
there to atone, in a manner, for the red deed of his hands, but because
the goods are cheap.
He regrets nothing. To regret, you must find sin in your heart, while
the murder of Señora Garcia meant no sin to him. It was to him a simple
action, respectable, even worthy.
For he was a Chinaman, and, although it all happened between the
chocolate-brown of the Hudson and the murky, cloudy gray of the North
River, the tale is of the Orient. There is about it an atmosphere of
age-green bronze; of first-chop chandoo and spicy aloe-wood; of gilt,
carved statues brought out of India when Confucius was young; of faded
embroideries, musty with the scent of the dead centuries. An atmosphere
which is very sweet, very gentle—and very unhuman.
The Elevated roars above. The bluecoat shuffles his flat feet on the
greasy asphalt below. But still the tale is of China—and the dramatic
climax, in a Chinaman’s story, from a Chinaman’s slightly twisted angle,
differs from that of an American.
To Nag Hong Fah this climax came not with the murder of Señora Garcia,
but with Fanny Mei Hi’s laugh as she saw him with the shimmering bauble
in his hands and heard his appraisal thereof.
――――
She was his wife, married to him honorably and truly, with a narrow gold
band and a clergyman and a bouquet of wired roses bought cheaply from an
itinerant Greek vendor, and handfuls of rice thrown by facetious and
drunken members of both the yellow race and the white.
Of course, at the time of his marriage, a good many people around Pell
Street whispered and gossiped. They spoke of the curling black smoke and
slavery and other gorgeously, romantically wicked things. Miss Edith
Rutter, the social settlement investigator, spoke of—and to—the police.
Public-domain text, read in full here on John Shaqi.
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