The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Whereas Nag Hong Fah, who had both dignity and a sense of humor, invited
them all to his house: gossipers, whisperers, Miss Edith Rutter, and
Detective Bill Devoy of the Second Branch, and bade them look to their
hearts’ content; and whereas they found no opium, no sliding panels, and
hidden cupboards, no dread Mongol mysteries, but a neat little
steam-heated flat, furnished by Grand Rapids via Fourteenth Street,
German porcelain, a case of blond Milwaukee beer, a five-pound humidor
of shredded Kentucky burlap tobacco, a victrola, and a fine, big Bible
with brass clamp and edges and M. Doré’s illustrations.
“Call again,” he said as they were trooping down the narrow stairs.
“Call again any time you please. Glad to have you—aren’t we, kid?”
chucking his wife under the chin.
“You bet yer life, you fat old yellow sweetness!” agreed Fanny; and
then—as a special barbed shaft leveled at Miss Rutter’s retreating back:
“Say! Any time yer wanta lamp my wedding certificate—it’s hangin’
between the fottygraphs of the President and the Big Boss—all framed up
swell!”
――――
He had met her first one evening in a Bowery saloon, where she was
introduced to him by Mr. Brian Neill, the owner of the saloon, a
gentleman from out the County Armagh, who had spattered and muddied his
proverbial Irish chastity in the slime of the Bowery gutters, and who
called himself her uncle.
This latter statement had to be taken with a grain of salt. For Fanny
Mei Hi was not Irish. Her hair was golden, her eyes blue. But otherwise
she was Chinese. Easily nine-tenths of her. Of course she denied it. But
that is neither here nor there.
She was not a lady. Couldn’t be—don’t you see—with that mixed blood in
her veins, Mr. Brian Neill acting as her uncle, and the standing pools
of East Side vice about her.
But Nag Hong Fah, who was a poet and a philosopher, besides being the
proprietor of the Great Shanghai Chop Suey Palace, said that she looked
like a golden-haired goddess of evil, familiar with all the seven sins.
And he added—this to the soothsayer of his clan, Nag Hop Fat—that he did
not mind her having seven, nor seventeen, nor seven times seventeen
bundles of sin, as long as she kept them in the sacred bosom of the Nag
family.
“Yes,” said the soothsayer, throwing up a handful of painted ivory
sticks and watching how they fell to see if the omens were favorable.
“Purity is a jewel to the silly young. And you are old, honorable
cousin—”
“Indeed,” chimed in Nag Hong Fah, “I am old and fat and sluggish and
extremely wise. What price is there in purity higher than there is
contained in the happiness and contentment of a respectable citizen when
he sees men-children playing gently about his knees?”
He smiled when his younger brother, Nag Sen Yat, the opium merchant,
spoke to him of a certain Yung Quai.
“Yung Quai is beautiful,” said the opium merchant, “and young—and of an
honorable clan—and—”
Public-domain text, read in full here on John Shaqi.
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