The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Twice now I have said that after that evening I never thought of the
other woman at all. That is partially true but sometimes in the evening
when I am walking alone in the street or in the park as we are walking
now, and when evening comes softly and quickly as it has come to-night,
the feeling of her comes sharply into my body and mind. After that one
meeting I never saw her again. On the next day I was married and I have
never gone back into her street. Often however as I am walking along as
I am doing now, a quick sharp earthy feeling takes possession of me. It
is as though I were a seed in the ground and the warm rains of the
spring had come. It is as though I were not a man but a tree.
"And now you see I am married and everything is all right. My marriage
is to me a very beautiful fact. If you were to say that my marriage is
not a happy one I could call you a liar and be speaking the absolute
truth. I have tried to tell you about this other woman. There is a kind
of relief in speaking of her. I have never done it before. I wonder why
I was so silly as to be afraid that I would give you the impression I am
not in love with my wife. If I did not instinctively trust your
understanding I would not have spoken. As the matter stands I have a
little stirred myself up. To-night I shall think of the other woman.
That sometimes occurs. It will happen after I have gone to bed. My wife
sleeps in the next room to mine and the door is always left open. There
will be a moon to-night, and when there is a moon long streaks of light
fall on her bed. I shall awake at midnight to-night. She will be lying
asleep with one arm thrown over her head.
"What is that I am talking about? A man does not speak of his wife lying
in bed. What I am trying to say is that, because of this talk, I shall
think of the other woman to-night. My thoughts will not take the form
they did the week before I was married. I will wonder what has become of
the woman. For a moment I will again feel myself holding her close. I
will think that for an hour I was closer to her than I have ever been to
anyone else. Then I will think of the time when I will be as close as
that to my wife. She is still, you see, an awakening woman. For a moment
I will close my eyes and the quick, shrewd, determined eyes of that
other woman will look into mine. My head will swim and then I will
quickly open my eyes and see again the dear woman with whom I have
undertaken to live out my life. Then I will sleep and when I awake in
the morning it will be as it was that evening when I walked out of my
dark apartment after having had the most notable experience of my life.
What I mean to say, you understand, is that, for me, when I awake, the
other woman will be utterly gone."
FOOTNOTE:
[2] Copyright, 1920, by Margaret C. Anderson. Copyright, 1921, by
Sherwood Anderson.
GARGOYLE[3]
By EDWINA STANTON BABCOCK
From _Harper's Magazine_
Public-domain text, read in full here on John Shaqi.
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