The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Gargoyle stole up the piazza steps. His arms were full of field flowers.
He stood there staring over his burden.
A hush fell upon tea- and card-tables. The younger women on the Strang
veranda glanced at one another. The girl at the piano hesitated in her
light stringing of musical sentences.
John Strang rose. "Not now, Gargoyle, old man." Taking the flowers from
the thin hands, he laid them on the rug at his wife's feet, then gently
motioned the intruder away. Gargoyle flitted contentedly down the broad
steps to the smooth drive, and was soon hidden by masses of rhododendron
on the quadrangle.
Only one guest raised questioning eyebrows as Strang resumed his seat.
This girl glanced over his shoulder at the aimless child straying off
into the trees.
"I should think an uncanny little person like that would get on Mrs.
Strang's nerves; he gives me the creeps!"
"Yes? Mrs. Strang is hardly as sensitive as you might suppose. What do
you say of a lady who enjoys putting the worms on her shrinking
husband's hook? Not only that, but who banters the worms, telling them
it's all for their own good?"
The mistress of Heartholm, looking over at the two, shook a deprecating
head. But Strang seemed to derive amusement from the guest's
disapproval.
Mockwood, where the Strangs lived, had its impressiveness partly
accounted for by the practical American name of "residential park."
This habitat, covering many thousands of acres, gave evidence of the
usual New World compromise between fantastic wealth and over-reached
restraint. Polished automobiles gliding noiselessly through massed
purple and silver shrubberies, receded into bland glooms of
well-thought-out boscage. The architecture, a judicious mixture of
haughty roofs and opulent chimneys, preened itself behind exclusive
screens of wall and vine, and the entire frontage of Mockwood presented
a polished elegance which did not entirely conceal a silent plausibility
of expense.
At Heartholm, the Strangs' place, alone, had the purely conventional
been smitten in its smooth face. The banker's country home was built on
the lines of his own physical height and mental breadth. Strang had
flung open his living-rooms to vistas of tree branches splashing against
the morning blue. His back stairs were as aspiring as the Apostles'
Creed, and his front stairs as soaring as the Canticle to the Sun. As he
had laid out his seven-mile drive on a deer track leading to a forest
spring, so had he spoken for his flowers the word, which, though it
freed them from the prunes and prisms of a landscape gardener, held
them, glorified vassals, to their original masters, sun and rain.
Public-domain text, read in full here on John Shaqi.
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