The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
He had taken off the heavy coat he wore; shorn of its bulk, he seemed
extremely young, boyish, child-like even. There was something of
childhood in the hidden, secret happiness of his eyes; something of
childhood in the furtive way he fingered the column at whose base he
stood, then quickly withdrew his hand.
As one touches a flower, his gaze fondled the dim Abbey.
Presently he moved slowly down the splendid nave, pausing now and
then to drink in with thirsty eyes the beauty about him....
In a distant chapel, candles like captive fireflies were flickering
amid the gloom of drooping banners, and the furled flags of forgotten
wars....
The vastness of Westminster, the stateliness, lifted him as wings
lift.
It had always been so; throughout his childhood the Abbey had held
for him the beauty and romance that other boys find in sport, in
girls, in love.
He was remembering how often and often as a child he had brought
lunch with him and spent whole days exploring the Abbey--its great
naves and chapels, its crypts and tombs.
And it was still the same. War had not changed the Abbey.
The soldier now was standing before the chancel at the high altar,
his face lifted to the rose window that glowed above it. And
suddenly, like light, transcendent happiness was about him.
War had not changed him either!
The thought that was like light about him bore him in an ecstasy of
thanksgiving to his knees. His prayer was incoherent; a feeling of
infinite, lifted happiness: to have gone from college, physically
untrained for war, psychologically unprepared, to have spent three
years in the mud and blood,--and to have remained unchanged!
War had not changed him. War was an interruption, a suspension, a
holding of one’s breath ... the things for which he had lived--poetry
and beauty still were first.
Irrelevantly, and with an overwhelming longing, he remembered the
casual eyes of men who dwell in peace; he remembered English lanes
that call out to be trod; violets like music in the grass; the
cloistral quality of libraries; that first faint tremble in the
trees of spring; moonlight like snow upon the night....
And then, a tremendous symphony, the poems he had loved broke over
him. For an interval he was breathless, remembering the unbearable
beauty of Shakespeare’s sonnets; Chaucer, like a dayesie in the
grass; the music of Milton; Shelley’s “luminous wings”; Wordsworth,
“whose dwelling is the light of setting suns.”
Poetry! English poetry! He felt abased and purified and lifted. In
a sudden flash he re-beheld his England as the land of poets. Not
of shopkeepers, sailors, empire-builders. But of poets--the winged
voices of the race!
Public-domain text, read in full here on John Shaqi.
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