The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
There were Ireland, of course, and India, and Egypt, and opium;
dreadful ills! He shuddered imperceptibly. But these things, in the
final analysis, were not England. England was the poets whose voices
sing always of freedom; England was the barons at Runnymede; Magna
Carta; England was America, too; the pilgrims who planted a dream
upon the wilderness; and that still prophetic voice speaking today
above the roar and belch of war to the heart of the world. England
was Westminster: Shakespeare and Wordsworth and Wilson.
“Cloud-capped towers” ... “and visions splendid” ... “men too proud
to fight.”
Then the young soldier thought of his king; instinctively his eyes
lifted, his hand rose to the salute. Not as a kindly, middle-aged
man, slightly shrunken with mediocrity, did the young soldier think
of his king. To him, he was a knightly, shining figure, splendid with
romance. Medieval mysticism; crusaders faring forth to holy lands;
the glamour of Elizabeth’s bright reign; all the lesser poets like
fugitive and falling stars upon the night; these things were England
to the young soldier, were his king. King and Country! The phrase
lifted him again in exaltation. King and Country! It was for that
he was a warrior; it was for poetry and peace--tranquility like the
silence here in Westminster, where dreams unfold.
War was a cloud that would pass from before the shining beauty of
life. Others would know it again. _Others_....
Bitterness and grief for a moment assailed him. He had felt life
poignantly. A poet does; most poignantly, perhaps, the man not quite
a poet. Beauty had been so vividly acute; the laughter of forsythia
in the spring; summer’s perfumed, star-sown nights, the flaunting
flags of autumn, the thrill like military music on the wind. These
things to him were happiness as sharp as pain. And winter, too, with
its largo of snow.
It was winter now ... and snowing.
As the exaltation of his mood subsided, the soldier found his
down-cast gaze caught by an insignia on the overcoat that hung across
his arm; the number of a regiment, a division. The symbols seemed
to him suddenly utterly divorced from himself, alien. War was not
possible, _the war was not_. It could not be that yesterday he had been
in France; tomorrow he would be there again.
Incredulity swept him.
In the silence and the solitude and the twilight of Westminster, the
thing that he had left, the thing to which he must return, seemed
impossible, an unreality, delirium.
He thought suddenly of death ... it was the first time he had thought
of death since he had entered the Abbey. It seemed incredible that
men were dying at that instant, killing each other with terrible
guns, when the quiet here was so profound.
Public-domain text, read in full here on John Shaqi.
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