The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
But after awhile a look of distaste ruffled a little her face. Little
dimples puckered the middle of her forehead. The wide pupils of her
eyes narrowed a little. She turned her face a little away, still
looking, cocked her head a little sideways, bit her lip and drew
her hands back, hesitating. The man’s mouth was sagging open, and
impulsively, with a studious, earnest air, like a child modeling
clay, she took his face in both her hands and firmly pressed his
mouth shut, and for a moment held it so. But when she took her hands
away his mouth again sagged open. He slept.
She frowned and again put out her hands, but drew them back. She
recoiled a little and turning her head swept his body from head to
foot with one swift glance. She took his limp hand in hers, held
it up to the light and looked at it narrowly. His hand was unclean
all over and the nails were black. She flung it down hurriedly, and
without getting up she turned her back to him, and bending over, her
elbow on her knee, her mouth resting against her fist, stared at the
floor a long while. The silence was absolute.
Minutes passed. She arose and walked aimlessly about for awhile,
tucking at her hair, rearranging the furniture. Once she glanced at
her watch. She came and leaned back against the table, looking at her
husband. Her hands arranged and rearranged a bunch of violets pinned
between the buttoned lapels of her jacket.
After awhile she called sharply, “Eddie! Eddie!” Silence.
She bit her lip and shook her head slowly a long time, gripping the
edge of the table and holding her body rigid. She lifted up her head
and gazed at the ceiling.
“Oh, God!” she whispered, as though she believed God might be in
the room above. Her body sagged while she gazed at the ceiling. She
sobbed without making a sound. Tears glinted in her eyes but did not
roll down her cheeks.
The man lay regardless.
At last the woman smiled, a wry smile; looked at her watch; and
turned toward her coat and hat.
A step sounded in the hall, heavy and rather slow, coming toward
her door. It stopped at her door, there was a wait, a firm rap. She
opened the door at once.
“You, Allen?” she exclaimed in an undertone.
A tall man was looking in at her. He was rather angular and awkward.
His eyes were deepset and gray, and his large, rather bony face had a
sober look.
“May I come in?” he said.
She led the way into the room. He followed slowly, closing the door
behind him. She looked at him with a question in her face.
“I could not stay away any longer,” he said.
“I never told you not to come,” she replied.
He had not appeared to notice the man on the couch. Now, as if he had
known all the time, he turned slowly and looked down at Eddie. After
some moments he again faced her.
“The same as ever,” he said.
Public-domain text, read in full here on John Shaqi.
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