The Bet, and other storiesChekhov, Anton Pavlovich
General
The Bet, and other stories
Chekhov, Anton Pavlovich
Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
But Katy’s opinion was quite the opposite. She assured me that even in
its present state the theatre is above lecture-rooms and books, above
everything else in the world. The theatre is a power that unites in
itself all the arts, and the actors are men with a mission. No separate
art or science can act on the human soul so strongly and truly as the
stage; and therefore it is reasonable that a medium actor should enjoy
much greater popularity than the finest scholar or painter. No public
activity can give such delight and satisfaction as the theatrical.
So one fine day Katy joined a theatrical company and went away, I
believe, to Ufa, taking with her a lot of money, a bagful of rainbow
hopes, and some very high-class views on the business.
Her first letters on the journey were wonderful. When I read them I was
simply amazed that little sheets of paper could contain so much youth,
such transparent purity, such divine innocence, and at the same time
so many subtle, sensible judgments, that would do honour to a sound
masculine intelligence. The Volga, nature, the towns she visited, her
friends, her successes and failures--she did not write about them, she
sang. Every line breathed the confidence which I used to see in her
face; and with all this a mass of grammatical mistakes and hardly a
single stop.
Scarce six months passed before I received a highly poetical
enthusiastic letter, beginning, “I have fallen in love.” She enclosed a
photograph of a young man with a clean-shaven face, in a broad-brimmed
hat, with a plaid thrown over his shoulders. The next letters were just
as splendid, but stops already began to appear and the grammatical
mistakes to vanish. They had a strong masculine scent. Katy began
to write about what a good thing it would be to build a big theatre
somewhere in the Volga, but on a cooperative basis, and to attract
the rich business-men and shipowners to the undertaking. There would
be plenty of money, huge receipts, and the actors would work in
partnership.... Perhaps all this is really a good thing, but I can’t
help thinking such schemes could only come from a man’s head.
Public-domain text, read in full here on John Shaqi.
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