The Betrothal: A Sequel to the Blue Bird; A Fairy Play in Five Acts and Eleven ScenesMaeterlinck, Maurice
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The Betrothal: A Sequel to the Blue Bird; A Fairy Play in Five Acts and Eleven Scenes
Maeterlinck, Maurice
Fairy plays; French drama -- Translations into English
THE FAIRY
That remains to be seen. We must hear what Light says: it's a matter for
her.
TYLTYL
Why, of course. Light!... Where is she?... Isn't she going with us?
THE FAIRY
Yes, yes, but she has a great deal to do at the moment.... She wasn't
free this evening.... We shall find her at my place, where we shall go
straight from your visit to the miser.
TYLTYL
How glad I shall be to see her again!... She was so nice, so sweet, so
beautiful, so affectionate and kind!...
THE FAIRY
Come, give Destiny your hand; it's time to start.
(TYLTYL _stretches out his arm to the monster, who grips the boy's
little hand and wrist in his huge bronze-coloured hand_.)
TYLTYL
Here you are, sir.... (_Giving a cry_.) Hi!... It's not a hand. It's a
steel vice!...
THE FAIRY
It's nothing, you'll get used to it.... Come, is everything ready at
last? Nothing more that we've forgotten? Then one, two, three and off we
go!...
(_A knock at the door_.)
THE FAIRY
(_Crossly_.) Who's come to disturb us now? Shall we never get out of
this hovel?
(_Another knock_.)
TYLTYL
Come in!...
(_A third knock_.)
TYLTYL
Who's there?... Come in, can't you?...
(_The door opens slowly and reveals a female form shrouded in long
white veils, like an antique statue. The face, hands, mouth, eyes,
hair and eyebrows are lifeless and white as marble. It stands
motionless on the threshold_.)
TYLTYL
What is it?
THE FAIRY
Really, I don't know.... It must be one of those whom you've
forgotten....
TYLTYL
(_Vainly ransacking his memory_.) I?... I've forgotten nobody.... I've
never seen her before.... I can't remember.... (_Going up to_ THE VEILED
FORM.) Who are you? (THE VEILED FORM _does not reply_.)
THE FAIRY
It's no use asking her. She can't tell you, she can't come to life till
you remember her.
TYLTYL
But I don't. I'm thinking and trying as hard as I can, but I can find
nothing.
THE FAIRY
Very well, very well, we shall see later, when everything is cleared
up.... As she blocks the path, we must go out by the window.... Come,
this way! We have taken our fate in our hands; and things have begun!...
DESTINY
Excuse me, excuse me! It's I who am Fate and it's I who begin and it's I
who give orders.... I go first, for it is I who direct everything and I
am the only master!...
(_The windows open down to the ground and all go out into the
starry night, preceded by_ DESTINY _dragging_ TYLTYL _by the hand_.
THE VEILED FORM _follows them slowly, at a distance_.)
CURTAIN
ACT II
SCENE II
_Outside the Door_
_The curtain represents a huge double door surmounted with a
flattened arch. The door is old, thick and massive, unyielding,
bound and studded with iron bars and nails. In the middle of the
door is a formidable lock_.
(_Enter_ THE FAIRY _and_ TYLTYL, _who carries an empty wallet over
his shoulder_.)
THE FAIRY
This is the Miser's door.
TYLTYL
Where are my sweethearts?
Public-domain text, read in full here on John Shaqi.
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