Birds in literature; Shakespeare, William, 1564-1616 -- Knowledge -- Ornithology
Eagle
Falcon
Kestrel
Sparrowhawk
Buzzard
Kite
Osprey
Vulture
Parrot
Ostrich
Cormorant
Pelican
Loon
Owl
Cuckoo
Woodcock
Pheasant
Partridge
Snipe
Quail
Lapwing
Wild Duck
Dabchick
Raven
Crow
Rook
Chough
Jackdaw
Magpie
Jay
Starling
Domestic Cock
Goose
Turkey-cock
Swan
Peacock
Dove and Pigeon
Turtle-dove
Lark
Blackbird
Thrush
Wren
Wagtail
Bunting
Redbreast
Finch
Halcyon or Kingfisher
Hedge-Sparrow
House-Sparrow
Swallow
House-Martin
Nightingale.
Of a few of them he makes only a single mention, but most of them are
more frequently cited, in some cases, indeed, as often as forty or
fifty times. Recognising in these creatures traits that remind him of
the feelings and actions of mankind, he makes varied and effective use
of them as symbols and illustrations with which to enrich his vivid
picture of the great drama of human life. The naturalist, interested
in noting the attitude of the greatest poet of all time towards living
creatures, feels no surprise that Shakespeare’s knowledge of natural
history is sometimes inaccurate, or that he should have taken on trust
some of the fabulous legends in that subject, which were current in
his day. The scientific study of Nature had not yet been seriously
undertaken.
I propose to enumerate here the birds individually selected by
Shakespeare for special comment, and to cite a few passages from his
works in illustration of the various ways in which he makes use of each
of them. It will be convenient to take them in groups.
[Sidenote: _The Eagle_]
We may begin with BIRDS OF PREY, following the precedent set by
Chaucer, who in his long list tells that “the fowles of ravine were
hyest sette.” The EAGLE is cited some forty times. The two birds of
this kind native to Britain, the Golden Eagle, and the White-tailed or
Sea-eagle, now so restricted in number, were doubtless more abundant
in his day. He may have occasionally seen examples of each of them on
the wing, though his allusions hardly suggest any personal familiarity
with the birds. Recognising the lofty rank of the eagle and its
acknowledged dignity above the other birds of prey, he makes the birds
themselves, in the arrangements for the obsequies of the Phoenix and
Turtle, admit this supremacy.
From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather’d King.[44]
The powerful vision which from time immemorial has been ascribed to
the eagle[45] is often referred to by the poet, who makes one of his
personages even claim that kings of men have eyes like the king of
birds. As Richard II. stood on the battlements of Flint Castle the Duke
of York pointing to him, exclaimed,
Yet looks he like a king; behold! his eye,
As bright as is the eagle’s, lightens forth
Controlling majesty.[46]
The future King Edward IV. was taunted by his brother Richard thus:
Public-domain text, read in full here on John Shaqi.
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