American fiction -- 20th century; Short stories, American
As we brought arm chairs about the fire-place on our first snow-bound
evening, moved possibly by the Red Nosed Gentleman’s burgundy, which
that florid person had urged upon his attention, the Jolly Doctor set
the little community a good story-telling example.
“This story, I should premise,” said the Jolly Doctor, mollifying
certain rawnesses of his throat with a final glass of the Red Nosed
Gentleman’s burgundy, “belongs to no experience of my own. I shall tell
it as it was given me. It speaks broadly of the west and of the folk of
cows and the Indians, and was set uppermost in my memory by the presence
of our western friends.” Here the Jolly Doctor indicated the Old
Cattleman and that product of the French fur trader and his Indian wife,
Sioux Sam, by a polite wave of his glass. Then tossing off the last of
his burgundy he, without tedious preliminary, struck into his little
history.
CHAPTER II.--THE WINNING OF SAUCY PAOLI.
Gray Wolf sits within the shadow of the agency cottonwood and puffs
unhappy kinnikinic from his red stone pipe. Heavy, dull and hot lies the
August afternoon; heavy, dull and hot lies the heart of Gray Wolf. There
is a profound grief at his soul’s roots. The Indian’s is not a mobile
face. In full expression it is capable only of apathy or rage. If
your Indian would show you mirth or woe, he must eke out the dim and
half-told story with streaks of paint. But so deep is the present sorrow
of Gray Wolf that, even without the aid of graphic ochre, one reads some
shadow of it in the wrinkled brows and brooding eyes.
What is this to so beat upon our dismal Osage? There is a dab of mud
in his hair; his blanket is rags, and his moccasins are rusty and worn.
These be weeds of mourning. Death has crept to the tepee of Gray Wolf
and taken a prey. It was Catbird, the squaw of Gray Wolf.
However, his to-day’s sadness is not for the departed Catbird. He
married her without laughter, and saw her pass without tears, as became
a man and an Osage. When her breath was gone, the women combed her
hair and dressed her in new, gay clothes, and burned the sacred cedar.
Gray Wolf, after the usage of his fathers, seated her--knees to chin--on
yonder hilltop, wrapped her in rawhides, and, as against the curiosity
of coyotes and other prowling vermin of the night, budded her solidly
about and over with heavy stones. You may see the rude mausole, like
some tumbledown chimney, from the agency door. That was a moon ago.
Another will go by; Gray Wolf will lay off his rags and tatters, comb
the clay from his hair, and give a dance to show that he mourns no
more. No, it is not the lost Catbird--good squaw though she was--that
embitters the tobacco and haunts the moods of Gray Wolf. It is something
more awful than death--that merest savage commonplace; something to
touch the important fiber of pride.
Public-domain text, read in full here on John Shaqi.
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