Gray Wolf is proud, as indeed he has concern to be. Not alone is he eminent as an Osage; he is likewise an eminent Indian. Those two thin ragged lines of blue tattoo which, on each side from the point of the jaw, run downward on the neck until they disappear beneath his blanket, prove Gray Wolf’s elevation. They are the marks of an aboriginal nobility whereof the paleface in his ignorance knows nothing. Thirty Indians in all the tribes may wear these marks. And yet, despite such signs of respect, Gray Wolf has become the subject of acrid tribal criticism; and he feels it like the edge of a knife. Keats was quill-pricked to death by critics. But Keats was an Englishman and a poet. Petronius Arbiter, Nero’s minion, was also criticised; despite the faultfinder, however, he lived in cloudless merry luxury, and died laughing. But Petronius was a Roman and an epicure. Gray Wolf is to gain nothing by these examples. He would not die like the verse maker, he could not laugh like the consul; there is a gulf between Gray Wolf and these as wide as the width of the possible. Gray Wolf is a stoic, and therefore neither so callous nor so wise as an epicure. Moreover, he is a savage and not a poet. Petronius came to be nothing better than an appetite; Gray Wolf rises to the heights of an emotion. Keats was a radical of sensibility, ransacking a firmament; Gray Wolf is an earthgoing conservative--a more stupendous Tory than any Bolingbroke. Of the two, while resembling neither, Gray Wolf comes nearer the poet than the Sybarite, since he can feel. Let it be remarked that Osage criticism is no trivial thing. It is so far peculiar that never a word or look, or even a detractory shrug is made to be its evidence. Your Osage tells no evil tales of you to his neighbor. His conduct goes guiltless of slanderous syllable or gesture. But he criticises you in his heart; he is strenuous to think ill of you; and by some fashion of telepathy you know and feel and burn with this tacit condemnation as much as ever you might from hot irons laid on your forehead. It is this criticism, as silent as it is general, that gnaws at Gray Wolf’s heart and makes his somber visage more somber yet. It was the week before when Gray Wolf, puffed of a vain conceit, matched Sundown, his pinto pony--swift as a winter wind, he deemed her--against a piebald, leggy roan, the property of Dull Ox, the cunning Ponca. The race had wide advertisement; it took shape between the Osages and the Poncas as an international event. Gray Wolf assured his tribe of victory; his Sundown was a shooting star, the roan a turtle; whereupon the Osages, ever ready as natural patriots to believe the worst Osage thing to be better than the best thing Ponca, fatuously wagered their substance on Sundown, even unto the beads on their moccasins.