American fiction -- 20th century; Short stories, American
The race was run; the ubiquitous roan, fleeter than a shadow, went by
poor Sundown as though she ran with hobbles on. Dull Ox won; the Poncas
won. The believing Osages were stripped of their last blanket; and even
as Gray Wolf sits beneath the agency cottonwood and writhes while he
considers what his pillaged countrymen must think of him, the exultant
Poncas are in the midst of a protracted spree, something in the nature
of a scalp dance, meant to celebrate their triumph and emphasize the
thoroughness wherewith the Osages were routed. Is it marvel, then, that
Osage thought is full of resentment, or that Gray Wolf feels its sting?
Over across from the moody Gray Wolf, Bill Henry lounges in the
wide doorway of Florer’s agency store. Bill Henry is young, about
twenty-three, in truth. He has a quick, handsome face, with gray eyes
that dance and gleam, and promise explosiveness of temper. The tan that
darkens Bill Henry’s skin wherever the sun may get to it, and which is
comparable to the color of a saddle or a law book, testifies that the
vivacious Bill is no recent importation. Five full years on the plains
would be needed to ripen one to that durable hue.
Bill gazes out upon Gray Wolf as the latter sticks to the cottonwood’s
shade; a plan is running in the thoughts of Bill. There is call for
change in Bill’s destinies, and he must have the Gray Wolf’s consent to
what he bears in mind.
Bill has followed cattle since he turned his back on Maryland, a quintet
of years before, and pushed westward two thousand miles to commence a
career. Bill’s family is of that aristocracy which adorns the “Eastern
Shore” of Lord Baltimore’s old domain. His folk are of consequence, and
intended that Bill should take a high position. Bill’s mother, an ardent
church woman, had a pulpit in her thoughts for Bill; his father, more
of the world, urged on his son the law. But Bill’s bent was towards the
laws neither of heaven nor of men. The romantic overgrew the practical
in his nature. He leaned not to labor, whether mental or physical, and
he liked danger and change and careless savageries.
Civilization is artificial; it is a creature of convention, of clocks,
of hours, of an unending procession of sleep, victuals and work. Bill
distasted such orderly matters and felt instinctive abhorrence therefor.
The day in and day out effort called for to remain civilized terrified
Bill; his soul gave up the task before it was begun.
Public-domain text, read in full here on John Shaqi.
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