The black ship: with other allegories and parables — John Shaqi
The black ship: with other allegories and parablesCharles, Elizabeth Rundle
General
The black ship: with other allegories and parables
Charles, Elizabeth Rundle
Allegories -- Juvenile literature; Parables -- Juvenile literature; Sunday school literature
It had been a temple of the most ancient form, open to the sky,
beautiful beyond any temple upon earth, beautiful and sacred, and some
remnants of its beauty hung about it still—fragments of exquisite
carvings and broken shafts of graceful columns. But everything was
shattered and out of place, the window tracery shivered in a thousand
fragments and strewn on the ground, columns prostrate, sacred vessels
lying rusted among the weeds, the pure spring which had gushed from
beneath the altar choked up and dry, and instruments of sacred music
mute and broken on the ground.
On the walls in some places were the traces of violence, but it was
remarkable that they seemed to have been assaulted only from within.
Indeed, the temple had been a fortress, so impregnably situated and
built, that except from within, not one stone could ever have been
displaced.
This was, in fact, the saddest part of its history. The temple had been
desecrated before it had been ruined, and in its ruin it was a temple
still, but, alas! no longer sacred to Him in whose honour it had been
reared.
Many senseless or loathsome idol-images were carved on the walls,
strangely contrasting, in their shapelessness or deformity, with the
symmetry of every fragment of the original structure. On the broken
altar in the centre stood an image of the Priestess herself. This was
the earliest idol which had entered there, and with the entrance of
this, the ruin had begun. The Enemy who had, with subtle flatteries,
introduced this idol, had ever since had access to the temple, and step
by step the Priestess had sunk beneath his power. He had led her into
wild orgies, in which she herself had defaced the delicate tracery and
torn down the walls; and when she awoke from the frenzy and wept, as
sometimes she would, he silenced her tears with blows or with mocking
threats of the vengeance of Him to whom the temple had been consecrated.
Sometimes, however, she woke to a moment's full consciousness of the
desolation around her, and then she would wail and lament until he
seemed to fear some unseen Friend would hear; and at such seasons he
grew more gentle, and renewed the old persuasions and flatteries by
which he had misled her first. He would even encourage her at times,
when all other methods failed, to try and collect the scattered stones,
and repair the breaches in the shattered walls and re-string the broken
harp, for he knew well her puny efforts must fail, and that no hands
but those of the builder could ever restore the ruin she had wrought.
So, after a few faint endeavours, she, as he expected, would give up
in despair, and sit cowering hopelessly on the ground afraid of him,
afraid of Him whose priestess she was, afraid of her own voice.
Public-domain text, read in full here on John Shaqi.
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