The black ship: with other allegories and parablesCharles, Elizabeth Rundle
General
The black ship: with other allegories and parables
Charles, Elizabeth Rundle
Allegories -- Juvenile literature; Parables -- Juvenile literature; Sunday school literature
In such bitter hours, he would again grow bold, and mock her with
the memory of the past, until the spirit of indignant resistance
seemed roused within her, when, once more softening his tone, he
would point her with flattering words to her own image on the broken
altar. He would shew her the beauty still lingering in its marred and
weather-worn features, and help her to decorate it with gay colours
and tinsel ornaments, placing in her hands the golden censer, with the
sweet incense which had been made in happier days for far other uses;
and she would wave the fragrant compound before the idol image of
herself.
But with the pure spices which made it sweet, the enemy had mixed a
narcotic poison, and as she languidly swung the censer to and fro, her
brain would become intoxicated with the voluptuous sweetness, until,
in a dream of vain delight, she would fall asleep, and forget all her
miseries. And ever, as she slept, he would rivet faster the chain
which, unperceived by her, was being bound around her, every year
making her range of action narrower and her movements less free.
Wild beasts, also, made their lair in the desolate temple-chambers,
prowling in and out where formerly meek and heavenly beings had
ministered, and making the shattered walls echo with their loud howls
and sullen roarings, where once had sounded strains of pure and joyous
music.
Thus, day by day, the ruin spread, and the desolation and desecration
became more complete.
But it happened one spring, that two little singing-birds came back
from the sunny clime where they had wintered, and began building their
nest above the ancient altar. There was something in the spring-time
which often brought tears to the eyes of the fallen priestess, she
scarcely knew why. The world seemed then like one happy temple full
of thankful songs; and as, day by day, the sun repaired the ruins of
winter, and the choral services of the woods took a fuller tone, on
her heart there fell the mournful sense of the ruins around her, which
no spring-tide could restore. Yet something of a softer feeling, a
melancholy which breathed of hope, stole over her, and she watched
those two happy birds building their nest, and warbling as they worked.
At last, the nest was finished, the happy mother-bird sat on her eggs,
and the pair had much leisure for confidential conversation.
"How desolate this place is," said the mother-bird.
"And it was once so beautiful," replied her mate.
"Why is it not rebuilt?" she asked.
"None can rebuild but the hand that built," was the mysterious reply.
"But would not the architect come if asked? He is so good. Was it not
he who taught us to build our nest; and I am sure nothing can be better
done than that."
"That is the difficulty," was the reply. "The priestess does not know
he is so good, and is afraid to utter his name. If she only called him,
he would come."
"Is he near enough?"
"He is always near."
Public-domain text, read in full here on John Shaqi.
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