The Bloody Theatre, or Martyrs Mirror of the Defenseless Christians: who baptized only upon confession of faith, and who suffered and died for the testimony of Jesus, their savior, from the time of Christ to the year A.D. 1660Braght, Thieleman J. van (Thieleman Janszoon)
History
The Bloody Theatre, or Martyrs Mirror of the Defenseless Christians: who baptized only upon confession of faith, and who suffered and died for the testimony of Jesus, their savior, from the time of Christ to the year A.D. 1660
Braght, Thieleman J. van (Thieleman Janszoon)
Anabaptists -- Europe -- Biography; Christian martyrs -- Biography; Persecution
These doctrines, teachings and practices together with the examples of
faithful devotion to Christ and his word, and the unfaltering endurance
under the severest persecution, are powerful incentives to Christians
to-day, to inspire many sincere souls to live a more consecrated life,
to practice greater self-denial, to live more separated from the world,
and show a greater zeal in the work of the Lord and the salvation of
souls; and they are especially precious to us, as Mennonites, because
through these people it pleased God to hand down to us the living
exemplification of the peculiar tenets and doctrines which we hold and
practice at the present day.
The reading of books of this kind will also help us to appreciate
more highly the privileges with which God has blessed us above our
forefathers. While they oftentimes were not permitted to have permanent
places of abode, and were driven about and hunted down like wild
beasts, compelled to dwell in caves and mountains, and other secluded
places, hold their meetings in secret, and suffer every imaginable form
of injustice and persecution, because to be a true follower of Christ
in those days was considered the very worst of crimes, we enjoy all the
privileges of citizenship and are protected in the fullest enjoyment of
our religion and forms of worship.
It is the duty of the Church to maintain and teach the pure gospel of
Jesus Christ and to transmit the same to coming generations, and as we
contemplate these facts, what a glorious treasure of pure Christian
devotion shines forth in these pages of the Story of the Martyrs, and
how much this grand record of their sufferings has done, and may yet
do to perpetuate the pure doctrines of the gospel, eternity alone will
reveal.
For these reasons and many others that might be referred to, the
publishers of this edition, have, in the fear of God, for the promotion
of his glory, undertaken the publication of “The Bloody Theatre or
Martyrs Mirror” and herewith give it to the public, in the hope that it
may be the means of promoting the glory of God and of doing much good
among the children of men.
NOTE.--The translation of this work was made from the Dutch Edition of
1660, and where questions of doubt occurred, the edition of 1685 as
well as the German editions were consulted.
THE PUBLISHERS.
Translator’s Preface.
The principal object in writing this preface is to point out the
chief difficulties I had to contend with while engaged in this
truly laborious and exhaustive task. I do this not for the purpose
of exciting sympathy on my behalf, but to convey to the reader an
appropriate idea of the perplexing nature of the work that has
engrossed my closest attention, and absorbed so much of my energy and
care for nearly three years. The reader will thereby be prepared to
view with greater leniency the unavoidable inconsistencies and other
imperfections his critical eye may discover.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account