The Blot on the Kaiser's 'ScutcheonHillis, Newell Dwight
History
The Blot on the Kaiser's 'Scutcheon
Hillis, Newell Dwight
World War, 1914-1918 -- Sermons
Fully conscious of the fact that they were impotent to produce such
treasures the Germans, unable to get closer to the cathedral than four
miles, determined to destroy them. Day after day they bombed the noble
cathedral. Gone now, too, the great stone roof! Fallen the flying
buttresses, ruined the chapels. Perished all the tapestries, the rugs
and the laces. Water stands in puddles on the floor. The cathedral is a
blackened shell.
The victim of grievous ingratitude, King Lear, was turned out into the
snow and hail by his wicked daughters; and the white-haired old king
wandered through the blackness of the night beneath the falling hail.
And, lo! the Cathedral of Rheims is a King Lear in architecture--broken,
wounded, exposed to the hails of the autumn and the snow of the winter,
through the coarseness and vandalism of the Germans.
The German Foreign Minister put it all in one word: "Let the neutrals
cease their everlasting chatter about the destruction of Rheims
Cathedral. All the paintings, statues and cathedrals in the world are
not so much as one straw to the Germans over against the gaining of our
goal and the conquest of their land."
Never was a truer word spoken. The German lacks the imagination and the
gift of the love of the beautiful. He would prefer one bologna sausage
factory and one brewery to the Parthenon, with St. Peter's and Rheims
Cathedral thrown in.
8. The German Sniper Who Hid Behind the Crucifix
For hundreds of years the French peasants have loved the crucifix. Many
a beautiful woman carries a little gold cross with the figure of Jesus
fastened thereto, and from time to time draws it out to press the
crucifix to her lips. Even in the harvest fields and beside the road,
travellers find the carved figure of the Saviour lifted up to draw poor,
ignorant and sinful men to His own level.
One of the most glorious pieces of carving in France was wrought in
walnut by a great sculptor and lifted up on a tree in the midst of an
estate, where the peasants, resting from their work, could refresh their
souls by love and faith and prayer.
One day last summer, during the Teuton advance, a German officer stood
beneath that divine figure. Mentally he marked the place. That night
when the darkness fell a company of German officers returned to that
spot. One of them climbed up on the tree. He found that the carved
figure of Jesus was life size.
With the end of a rope a little platform was drawn up level with the
foot of the crucifix. Two ropes were fastened to the outstretched arms
of the Saviour. Another rope was fastened around the neck of Jesus,
until the platform was made safe. Then a German sniper with his gun
climbed up on the platform. He laid his rifle upon the shoulders of the
Divine Figure, hiding his body behind that of Jesus. The German officer
must have chuckled with satisfaction, for he knew that he had found a
screen behind which a murderer might hide, and the German villain was
quite right in his psychology.
Public-domain text, read in full here on John Shaqi.
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