The Blot on the Kaiser's 'ScutcheonHillis, Newell Dwight
History
The Blot on the Kaiser's 'Scutcheon
Hillis, Newell Dwight
World War, 1914-1918 -- Sermons
It was true that the French soldiers loved that beautiful figure. To
them the crucifix was sacred. So beautiful were their ideals, so lofty
their spirit, so pure and high their imagination, that they were
incapable of conceiving that a German could use the sacred crucifix as a
screen from which to send forth his murderous hail.
The green boughs of that tree hid the little puff of smoke. From time to
time a French soldier would fall dead with a hole through his forehead.
Once a French officer threw up his hands while the blood streamed from
his mouth and he pitched forward dead.
At last the French soldiers understood. There was a sniper behind
Christ's cross. The French could have turned their cannon against that
tree, but instead they simply kept below the trench until the night
fell. Then in the darkness some French boys took their lives in their
hands and crawled on hands and knees across No Man's Land. Lying on
their backs they cut the wires above their heads.
By some strange providence they dropped safely into the German trench
and crawled ten yards beyond. Then they climbed into the tree, removed
that glorious crucifix with the carved figure, brought it back in
safety and at daybreak turned their cannon on the tree and blew the
platform to pieces.
Foul Huns had made a screen of that sacred figure, but the French were
not willing to injure their ideals by shooting the crucifix to pieces.
To-day all the world despises the Germans. Nothing is sacred to them.
Their souls are dead within them and when the soul dies, everything
dies.
The German's body may live on for twenty years, but you might as well
pronounce the funeral address to-day, for the soul of Germany is dead.
Nothing but a physical fighting machine now remains.
Meanwhile, France lives. Never were her ideals so lofty and pure. That
is why the world loves France. She has kept faith with her ideals.
9. The Ruined Studio
Public-domain text, read in full here on John Shaqi.
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