I have in my possession several photographs of a ruined studio. Some twenty or thirty Germans dashed into a little French village one day, and demanded at the point of their automatic pistols the surrender by the women of their rings, jewelry, money and their varied treasure. At the edge of the village was a simple little summer-house, in which one of the French artists had his studio. He had been in that valley for three months, sketching, and working very hard. Knowing that they had but a little time in which to do their work as vandals, the Huns started to ruin the studio. With big knives they cut the fine canvases into ruins. They knocked down the marbles, and the bronzes; the little bust from the hand of Rodin was smashed with a hammer. The bronze brought from Rome was pounded until the face was ruined. One blow of the hammer smashed the Chinese pottery, another broke the plates and the porcelain into fragments. Then every corner of the room was defiled, and the pigs fled from their filthy stye. Across one of the canvases the German officer wrote the words, "This is my trademark." And every other part of the canvas was cut to ribbons with his knife. No more convincing evidence of the real German character can possibly be found than these photographs of the interior of that ruined studio. Here we have the reason why the Kaiser himself, who knew the German through and through, called his people Huns. Long ago the first Huns entered Italy. They found a city of marble, ivory, and silver. They left it a heap and a ruin. They had no understanding of a palace; they did not know what a picture meant, or a marble; they were irritated by the superiority of the Roman. What they could not understand they determined to destroy. That is one of the reasons why all the marbles and bronzes that we have in Italy are marred and injured. The head of Jupiter is cracked; the Venus di Milo has no arms; Aphrodite has been repaired with plaster; Apollo has lost a part of his neck and one leg. From time to time an old marble is dug up in a field, where some ploughman has chanced upon the treasure. Owners hid their beautiful statues, ivories and bronzes, to save them from the vandals. Unfortunately, the modern Huns rushed into the French towns, riding in automobiles, and sculptors and painters had no time to hide their treasures. The great cathedrals could not be hidden. The Kaiser in one of his recent statements boasted that he had destroyed seventy-three cathedrals in Belgium and France. It is all too true. From the beginning, the Cathedral of Rheims, dear to the whole world, and glorious through the associations of Jeanne d'Arc, was doomed, because the Germans, having no treasure of their own, and incapable of producing such a cathedral, determined that France should not have that treasure. The other day, in Kentucky, a negro jockey came in at the tail end of a race, ten rods behind his rival. That night, the