Frau Venus in Wagner's _Tannhäuser_ held her revels in an
underground palace in the Horselberg in Thuringia, Germany. This
was one of the seats of Holda, the goddess of spring. Venus herself
is like the Christian conception of Freya and Hel. She gathers
about her a throng of nymphs, sylphs, and those she has lured into
the mountain by intoxicating music and promises. "The enchanting
sounds enticed only those in whose hearts wild sensuous longings
had already taken root." Of these Tannhäuser is one. He has stayed
a year, but it seems to him only one day. Already he is tired of
the rosy light and eternal music and languor, and longs for the
fresh green world of action he once knew. He fears that he has
forfeited his soul's salvation by being there at all, but cries,
"Salvation rests for me in Mary!"
WAGNER: _Tannhäuser._
At the holy name Venus and her revellers vanish, and Tannhäuser
finds himself in a meadow, hears the tinkling herd-bells, and a
shepherd's voice singing,
"Frau Holda, goddess of the spring,
Steps forth from the mountains old;
She comes, and all the brooklets sing,
And fled is winter's cold.
* * * * *
Play, play, my pipe, your lightest lay,
For spring has come, and merry May!"
_Tannhäuser._ (Huckel _trans._)
praising the goddess in her blameless state.
By the fifteenth century Satan, taking the place of the gods,
assumed control of the evil creatures. Now that witches were the
followers of the Devil, they wrote their names in his book, and
were carried away by him for the revels by night. A new witch was
pricked with a needle to initiate her into his company. At the
party the Devil was adored with worship due to God alone. Dancing,
a device of the pagans, and hence considered wholly wicked, was
indulged in to unseemly lengths. In 1883 in Sweden it was believed
that dances were held about the sanctuaries of the ancient gods,
and that whoever stopped to watch were caught by the dancers and
whirled away. If they profaned holy days by this dancing, they were
doomed to keep it up for a year.
At the witches' Sabbath the Devil himself sometimes appeared as a
goat, and the witches were attended by cats, owls, bats, and
cuckoos, because these creatures had once been sacred to Freya. At
the feast horse-flesh, once the food of the gods at banquets, was
eaten. The broth for the feast was brewed in a kettle held over the
fire by a tripod, like that which supported the seat of Apollo's
priestess at Delphi. The kettle may be a reminder of the one Thor
got, which gave to each guest whatever food he asked of it, or it
may be merely that used in brewing the herb-remedies which women
made before they were thought to practise witchcraft. In the kettle
were cooked mixtures which caused storms and shipwrecks, plagues,
and blights. No salt was eaten, for that was a wholesome substance.
Public-domain text, read in full here on John Shaqi.
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