So the little prince was sent, with his governesses and his nurses and
his own staff of servants, to Meudon, and Madame de Montesquiou wrote
constant reports of him to his parents at the Tuileries. At fourteen
months he had for dinner soup, beef, chicken, and pudding; at least
these things appeared on his table, though most likely he was not
allowed to eat them all. Directly the dinner was ready, the dishes were
placed in a large box, which was carefully locked by the head cook, who
gave it to a footman, and by him it was carried to the prince's
apartments, where the box was unlocked by Madame de Montesquiou with a
second key. These precautions dated back from many centuries, when
poison, or rather the fear of it, played so large a part in the life of
Courts. Certainly nobody wanted to poison the poor little King of Rome,
and if they had, they would hardly have liked to face the consequences!
Instead, he was adored by all his attendants, as a good-tempered,
healthy baby generally is. They loved to stand and peep through the
door, when 'Maman Quiou' was not looking, and watch him staggering and
tumbling about on the mattresses, three feet thick, that were spread in
his rooms, so that he might learn to walk without hurting himself; and
they would wait behind the curtains to see him start for his drive, with
his two white sheep beautifully combed and curled, the golden bells of
their collars tinkling as they went.
[Illustration: Napoleon shows the portrait to the Generals]
For some months the baby and his household remained at Meudon with his
governess, while the Emperor had begun the fatal war with Russia, and
the Empress was enjoying herself at Dresden with her father, Francis II.
Madame de Montesquiou writes her reports to the Emperor as usual, and no
matter how busy he is, he never fails to answer. Sometimes these letters
are accompanied by a bust or a miniature, and by-and-by Marie Louise
herself sends a full-length portrait of him by Gérard, which arrives on
September 6, 1812, the day of the battle of the Moskowa. For an instant
Russia ceases to exist for Napoleon: the world holds nothing but a
little boy in a white frock. 'Summon my generals,' he says, and they
come crowding into his tent, where the portrait of the King of Rome
stands upon a rough table. As they look the Emperor turns to them with a
wave of his hand. 'Gentlemen, if my son were fifteen years old instead
of eighteen months, it is not only in his portrait that he would be
present to-day.' Then, steadying his voice, which had trembled as he
spoke, he added, 'Take it away; it is too soon for him to look upon a
field of battle.'
Public-domain text, read in full here on John Shaqi.
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