The Book of the CourtierCastiglione, Baldassarre, conte
History
The Book of the Courtier
Castiglione, Baldassarre, conte
Courtesy -- Early works to 1800; Courts and courtiers -- Early works to 1800
“If you remember rightly, the Count declared last evening that the
Courtier’s chief business should be that of arms, and spoke at length
about the way in which he ought to practise it; therefore we will not
repeat this. Yet among our rules we may also lay it down that when our
Courtier finds himself in a skirmish or action or battle, or in other
such affairs, he ought to arrange discreetly to withdraw from the crowd,
and to perform those glorious and brave deeds that he has to do, with as
little company as he can, and in sight of all the noblest and most
respected men in the army, and especially in the presence and (if it is
possible) before the very eyes of his king or of the prince whom he
serves; for in truth it is very proper to make the most of one’s good
deeds. And I think that just as it is wrong to seek false and unmerited
renown, so it is wrong also to defraud oneself of the honour that is
one’s due, and not to seek that praise which alone is the true reward of
worthy effort.
“And I remember having in my time known some men who were very stupid in
this regard, although valiant, and who put their lives as much in danger
to capture a flock of sheep, as to be the first to scale the walls of a
beleaguered town; which our Courtier will not do if he bears in mind the
motive that leads him into war, which should be honour only. And again
if he happens to be playing at arms in public shows,—such as jousts,
tourneys, stick-throwing, or any other bodily exercise,—mindful of the
place and presence in which he is, he will contrive to be not less
elegant and graceful than unerring with his weapons, and to feast the
spectators’ eyes with all those things which he thinks may give him an
added grace. He will take care that his horse is bravely caparisoned,
that his attire becomes him, that his mottoes are appropriate and his
devices clever, so that they may attract the eyes of the bystanders as
the loadstone attracts iron. He will never be among the last to show
themselves, knowing that the crowd and especially women gaze much more
attentively upon the first than upon the last; for their eyes and minds,
which at the start are eager for novelty and observe and are impressed
by every trifle, are afterwards not only sated by repetition but even
grow weary. Thus there was an excellent actor of ancient times, who for
this reason always wished to be the first to perform his part in the
play.
“So too, even in speaking of arms, our Courtier will have regard to the
profession of those with whom he converses, and will govern himself
accordingly,—speaking in one way with men and in another way with women.
And if he wishes to touch on something that is to his credit, he will do
so covertly, as if by chance in passing, and with the discreetness and
caution that Count Ludovico expounded to us yesterday.
Public-domain text, read in full here on John Shaqi.
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