The Book of the Thousand Nights and a Night — Volume 01 (of 10) — John Shaqi
The Book of the Thousand Nights and a Night — Volume 01 (of 10)
General
The Book of the Thousand Nights and a Night — Volume 01 (of 10)
Fairy tales -- Arab countries; Folklore -- Arab countries
And now to consider one matter of special importance in the book—its
_turpiloquium_. This stumbling-block is of two kinds, completely
distinct. One is the simple, naïve and child-like indecency which, from
Tangiers to Japan, occurs throughout general conversation of high and
low in the present day. It uses, like the holy books of the Hebrews,
expressions "plainly descriptive of natural situations;" and it treats
in an unconventionally free and naked manner of subjects and matters
which are usually, by common consent, left undescribed. As Sir William
Jones observed long ago, "that anything natural can be offensively
obscene never seems to have occurred to the Indians or to their
legislators; a singularity (?) pervading their writings and
conversation, but no proof of moral depravity." Another justly observes,
_Les peuples primitifs n'y entendent pas malice: ils appellent les
choses par leurs noms et ne trouvent pas condamnable ce qui est
naturel._ And they are prying as children. For instance the European
novelist marries off his hero and heroine and leaves them to consummate
marriage in privacy; even Tom Jones has the decency to bolt the door.
But the Eastern story-teller, especially this unknown "prose
Shakespeare," must usher you, with a flourish, into the bridal chamber
and narrate to you, with infinite gusto, everything he sees and hears.
Again we must remember that grossness and indecency, in fact _les
turpitudes_, are matters of time and place; what is offensive in England
is not so in Egypt; what scandalises us now would have been a tame joke
_tempore Elisæ_. Withal The Nights will not be found in this matter
coarser than many passages of Shakspeare, Sterne, and Swift, and their
uncleanness rarely attains the perfection of Alcofribas Nasier, "divin
maître et atroce cochon." The other element is absolute obscenity,
sometimes, but not always, tempered by wit, humour and drollery; here we
have an exaggeration of Petronius Arbiter, the handiwork of writers
whose ancestry, the most religious and the most debauched of mankind,
practised every abomination before the shrine of the Canopic Gods.
Public-domain text, read in full here on John Shaqi.
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