William Harrison, Rector of Radwinter, and Canon of Windsor, who wrote “A Description of England” contained in “Holinshed’s Chronicles,” has already been referred to. He was a most observant man and one who in his own picturesque language “had an especiall eye unto the truth of things”; from 1586 to 1593 he was Canon of Windsor, and therefore anything he has to say about gardens is of unusual interest. His keen patriotism shines brightly through all his writings, and his high opinion of his own land is not in any way reduced when he comes to discourse upon gardens, for he writes: “I am persuaded that, albeit the gardens of the Hesperides were in times past so greatly accounted of, because of their delicacy, yet, if it were possible to have such an equal judge as by certain knowledge of both were able to pronounce upon them, I doubt not but he would give the prize unto the gardens of our days, and generally over all Europe, in comparison of those times wherein the old exceeded.” Early in the succeeding century, however, we come upon some more positive evidence of the use of Topiary work. Lawson, in 1618, shows more clearly that Topiary had become an important branch of the art of gardening, and that the designs carried out by some of the artists were, to say the least of it, remarkable. As indicative of the progress already made, he states: “Your gardener can frame your lesser wood to the shape of men armed in the field, ready to give battell: or swift-running Grey Hounds to chase the Deere, or hunt the Hare. This kind of hunting shall not waste your corne, nor much your coyne.”