In the reign of Charles II. (1669–1685), garden design and garden ornamentation reached a degree of extravagance not previously attempted and not subsequently repeated. This was the time when Le Notre rose to be the most famous gardener in Europe, a time when Louis XI. was King of France (1643–1715). During this period there was a great striving after effect on the part of all possessed of ample means, while both aristocrat and plebeian desired and loved to be dazzled by brilliance or enchanted by the novel and singular. From Johnson we learn that during a residence at the court of France, Charles II. became enamoured of the French style of ornamental gardening introduced by Le Notre. This style differed chiefly from that already in vogue in its magnificence; everything was carried out more elaborately and regardless of expense. “The alleys were lengthened, but still there were alleys, jets d’eau, mazes, parterres and statues, clipt trees and mathematically formed borders as of yore.” It is said that the extravagance in garden ornamentation at Versailles was designed and carried into effect by Le Notre at a cost of two hundred million francs, or over £8,250,000. The great features were huge marble-edged water-basins, elaborate fountains, an abundance of masonry for the terraces, and clipped yew and box, making a sum total described at a much later date by Mr Wm. Robinson, in his “Parks and Gardens of Paris” as “the deadly formalism of Versailles.” [Illustration: BEECH HEDGE AND BOWLING-GREEN AT LEVENS ] Charles II. encouraged elaborate garden design, and, with it, Topiary; it was under his orders that Le Notre himself laid out the semi-circular garden at Hampton Court. Gibson, who made a tour of London gardens in the reign of the “Merry Monarch,” shows by his writings that the chief features of these establishments were the terrace walks, evergreen hedges, “shorn shrubs in boxes,” and orange and myrtle trees. In the earlier part of the seventeenth century the gardens of Bilton and Chilham were designed, with an accompaniment of clipped trees, while later in the century Sir William Temple, who negotiated the triple alliance between England, Sweden, and the Netherlands, laid out a Dutch garden at Moor Park. He had a large affection for the Dutch style of gardening, but was nevertheless quick to see that big formal gardens and their elaborate designs and masonry cost more to maintain in prim order than many who possessed them could well afford. It was also about this time that the now famous Topiary garden at Levens Hall, in Westmoreland, was laid out by Beaumont, one of Le Notre’s disciples. According to the inscription under his portrait at Levens Hall, Beaumont was “Gardener to James II. and Colonel James Grahme. He laid out the gardens at Hampton Court and at Levens.” It was probably in some alteration of the Hampton Court gardens that Beaumont took part.