“Well, when they got half-way to Mafvahlið, came Geirrid to meet them,
with her workmen. ‘They had not gone the right way to work in seeking
Odd,’ she said, ‘but she would help them.’ So they turned back again.
Geirrid had a blue cloak on her. Now when the party was seen and
reported to Katla, and it was said that they were thirteen in number,
and one had on a coloured dress, Katla exclaimed, ‘That troll Geirrid
is come! I shall not be able to throw a glamour over their eyes any
more.’ She started up from her place and lifted the cushion of the
seat, and there was a hole and a cavity beneath: into this she thrust
Odd, clapped the cushion over him, and sat down, saying she felt sick
at heart.
“Now when they came into the room, there were small greetings. Geirrid
cast of her the cloak and went up to Katla, and took the seal-skin bag
which she had in her hand, and drew it over the head of Katla.[1] Then
Geirrid bade them break up the seat. They did so, and found Odd. Him
they took and carried to Buland’s head, where they hanged him. . . .
But Katla they stoned to death under the headland.”
[1] A precaution against the “evil eye.” Compare _Gisla Saga
Surssonnar_, p. 34. _Laxdæla Saga_, cc. 37, 38.
CHAPTER IV.
THE ORIGIN OF THE SCANDINAVIAN WERE-WOLF.
Advantage of the Study of Norse Literature—Bear and Wolf-skin
Dresses—The Berserkir—Their Rage—The Story of Thorir—Passages from the
Aigla—The Evening Wolf—Skallagrim and his Son—Derivation of the Words
Hamr and Vargr—Laws affecting Outlaws—“To become a
Boar”—Recapitulation.
One Of the great advantages of the study of old Norse or Icelandic
literature is the insight given by it into the origin of world-wide
superstitions. Norse tradition is transparent as glacier ice, and its
origin is as unmistakable.
Mediæval mythology, rich and gorgeous, is a compound like Corinthian
brass, into which many pure ores have been fused, or it is a full
turbid river drawn from numerous feeders, which had their sources in
remote climes. It is a blending of primæval Keltic, Teutonic,
Scandinavian, Italic, and Arab traditions, each adding a beauty, each
yielding a charm, bat each accretion rendering the analysis more
difficult.
Public-domain text, read in full here on John Shaqi.
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