Faced by such forcible arguments for conversion, the Pagan witch was
not long in adopting the Christian Devil as a more potent protector
than the old, easy-going gods who had formerly peopled the supernatural
world. Pagan or nominal Christian, she was equally anathema to the
Church, if only that she was consistently Protestant, claiming to
hold direct communication with the Unseen quite regardless of the
proper ecclesiastical channels. And by this very independence her
hold upon the imagination of her neighbours continued to increase as
Christianity progressed towards universal empire. The very definite
pronouncements of the Church against witches, witchcraft, and all kinds
of magic served to foster the general belief in their powers. What was
so forcibly condemned must of necessity exist. There was, moreover, a
certain satisfaction in this same tangibility. It simplified, smoothed
out the path of virtue. With witchcraft about, your duty was plain and
your task easy. You had but to mention a holy name, to make a sacred
sign, to sprinkle a little holy water, and victory was assured. If all
assaults of the devil were so straightforward and so vincible, the path
to Heaven were broad and smooth indeed.
It was, perhaps, the popular sense of victorious ability against
her spells which protected the witch, _per se_, against over-severe
persecution until towards the twelfth and thirteenth centuries.
Absolute confidence in the power to suppress an evil diminishes the
urgency for its suppression. Here and there a witch was executed,
local persecutions of inconsiderable extent occurred, but for general
holocausts we must wait until the more enlightened times of a James I.
or a Louis XIV. The witch of the Dark Ages might count upon a life of
comparative security, sweetened by the offerings of those who, pining
for present joys, acted upon the advice of Omar Khayyam rather than
following that of their ghostly advisers. Meanwhile, however, a mass of
tradition and precedent was growing up, to be put to deadly purpose in
the animadversions of learned sixteenth and seventeenth century writers
upon the vile and damnable sin of witchcraft.
By the eleventh century the witch was firmly identified, in the popular
as well as the ecclesiastical mind, as a woman who had entered upon
a compact with Satan for the overthrowing of Christ's kingdom. The
popular conception of her personality had also undergone a change.
By the twelfth century there was no more question of her as a fair
enchantress--she was grown older and uglier, poorer and meaner, showing
none of the advantages her compact with the Evil One might have been
expected to bring in its train.
Public-domain text, read in full here on John Shaqi.
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