The Bow, Its History, Manufacture and Use: 'The Strad' Library, No. III.Saint-George, Henry
History
The Bow, Its History, Manufacture and Use: 'The Strad' Library, No. III.
Saint-George, Henry
Stringed instruments
CHAPTER XVII.
THE IMPORTANCE OF THE SLOW BOW. THE RAPID WHOLE BOW. STACCATO.
BOWING STUDIES AND SOLOS. CONCLUSION . . . . . . . . . . . . . . 102
PUBLISHER'S NOTE.
In this new impression of the late Mr. Saint-George's book
opportunity has been taken to correct a few obvious errors, such as
those occurring in the notices of the three bowmakers named Peccatte;
the deaths of those makers which have occurred since the publication
of the first edition have been noted, and a few fresh names have been
added to the list contained in Chapter VIII. In other respects the
text of the work remains practically as the author left it.
INDEX TO ILLUSTRATIONS.
PHOTO REPRODUCTIONS OF BOWS.
PLATE
I. Head and nut of inlaid bow probably by Stradivari
to face page 32
II. Heads of three English bows showing evolution of design
to follow page 32
III. Heads of two violin, two viola, and one 'cello bow, by
IV. J. Dodd . . . . . . . . . . . . . . . . to follow page 32
V. Heads of three violin bows and one 'cello bow, by
VI. Francois Tourte . . . . . . . . . . . . to face page 48
VII. Heads of bows by Lupot . . . . . . . . . . . to follow page 48
VIII. Two heads of bows by D. Peccatte and one by Panormo
to follow page 48
ILLUSTRATIONS IN THE TEXT.
FIG. PAGE
1. Locust, showing action of hind leg in producing note . . . . 3
2. Assyrian Trigonon . . . . . . . . . . . . . . . . . . . . . 5
3. Crwth bow from the Golden Porch at Freiburg . . . . . . . . 6
4. Ravanastron and bow (Indian) . . . . . . . . . . . . . . . . 7
5. Uh-Ch'in and bow (Chinese) . . . . . . . . . . . . . . . . . 8
6. Omerti and bow (Indian) . . . . . . . . . . . . . . . . . . 8
7. Kemangeh-a-gouz and bow (Arabian) . . . . . . . . . . . . . 9
8. Rebab-esh-Sha'er and bow (Arabian) . . . . . . . . . . . . . 9
9. Sitara and bow (Persian) . . . . . . . . . . . . . . . . . . 10
10. Sarinda and bow (Bengalese) . . . . . . . . . . . . . . . . 11
11. Method of hairing some Egyptian bows . . . . . . . . . . . . 12
12. Saw-Tai and bow (Siamese) . . . . . . . . . . . . . . . . . 13
13. Bow of Nyckelharpa (Swedish) . . . . . . . . . . . . . . . . 13
14. Bow of Saw-oo (Chinese) . . . . . . . . . . . . . . . . . . 13
15. Bow of the eighth century . . . . . . . . . . . . . . . . . 18
16. Bow of the ninth century . . . . . . . . . . . . . . . . . . 18
17. Bow of the ninth century . . . . . . . . . . . . . . . . . . 18
18. Bows of the eleventh century . . . . . . . . . . . . . . . . 19
19. Bows of the twelfth century . . . . . . . . . . . . . . . . 20
20. Bows of the thirteenth century . . . . . . . . . . . . . . . 20
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