The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal CharterSue, Eugène
History
The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal Charter
Sue, Eugène
Brunehaut, Queen, consort of Sigebert, King of Austrasia, 534-613; France -- History -- To 987 -- Fiction
Oh, the fathers of the happy inhabitants who people that corner of the
land did not bend their necks under the yoke of either Frankish
seigneurs or Gallic bishops. No, no--they proved the old Gallic blood
still flowed in their veins. The consequence is noticed in the picture
of dignified felicity that the valley offers. Behold on the slope of the
hill the cosy homes half shaded by vines, that carpet the walls and the
ripe maturity and luxuriant quality of which are attested by their
leaves and grapes that the autumn sun has reddened and gilt. Each of the
houses is surrounded by a garden of flowers with a clump of shade-giving
trees. Never did the eye of man dwell upon a more smiling village. A
village? No; it rather resembles a large borough. From at least six to
seven hundred houses are scattered on the slope of that hill, without
counting the vast thatched structures that are situated below on the
meadow, which is watered by a river that rises to the north of the
valley, crosses it and forms its boundary far away where the horizon
dips. Yonder the river parts in two arms; one flows eastward, the other
westward, after bathing in its course the feet of a forest of gigantic
chestnut trees from between the tops of which the roof of a tall stone
building is perceived, surmounted by a cross of iron.
No, never yet was promised land better calculated to reward industry
with abundance. Half way up the slope of the hill, the purple colored
vines; above the vineyards, the agricultural fields, on which the
stubble of rye and wheat left from the last harvest is here and there
seen burning. The fertile acreage stretches up to the skirts of the
forests that crown the surrounding eminences, within which the spacious
valley is locked. Below the vineyards are meadowlands watered by the
river. Numerous flocks of sheep and herds of horses browse and graze
upon the succulent pasture. The bells of the bulls and wethers are heard
tinkling their rural melody. Here and yonder carts drawn by oxen slowly
roll over the ground where the stubble was burned the day before, or
four-wheeled wagons slowly descend the slopes of the vineyards and wend
their way towards the common wine-presses, which, together with the
stables, the sheep-folds and the pig-sties, all alike common, are
located in the neighborhood of the river. Several workshops also lie
contiguous to the river; the wash and spinning houses, where the flax is
prepared and the wool washed preparatorily to being transformed into
warm clothing; there also are situated the tanneries, the forges, the
mills equipped with enormous grind-stones. Peace, security, contentment
and work are seen everywhere reflected in the valley. The sound of the
beetles of the washerwomen and the curriers, the clang of the
blacksmiths' hammers, the joyful cries of the men and women engaged at
the vintage, the rythmic chant of the husbandmen keeping time to the
even and slow gait of the draft-oxen, the rustic flute of the
Public-domain text, read in full here on John Shaqi.
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