The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal Charter — John Shaqi
The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal CharterSue, Eugène
History
The Branding Needle; or, The Monastery of Charolles: A Tale of the First Communal Charter
Sue, Eugène
Brunehaut, Queen, consort of Sigebert, King of Austrasia, 534-613; France -- History -- To 987 -- Fiction
shepherds,--all these sounds, including the hum of the swarming bees,
another set of indefatigable toilers, who are busily gathering the honey
from the last autumnal flowers,--all these different sounds, from the
furthest and vaguest to the nearest and loudest, mingle into one
harmony that is at once sweet and imposing; it is the voice of labor and
happiness rising heavenward as a continuous thanksgiving.
What is it that is going on in yonder house, which, although constructed
like all the others, nevertheless, being nearest to the crest of the
hill, seems to be the culminating point of the settlement, and commands
a full view of the valley? Dressed in festive garb, the dwellers of that
house are seen going in and out. They are seen heaping dry vine twigs in
a sort of pyre at a goodly distance from the door. Young girls and
children are seen and heard merrily bringing in their arms their
contributions of dry wood, and running off again for more combustibles.
A short old woman, with hair as white as silver, dainty, comely and
still quick despite her advanced age, superintends the preparation of
the pyre. As all old women are apt to do, she finds fault and
sermonizes--but not in anger, on the contrary. Listen to her:
"Oh, those young girls, those young girls! Always giddy-headed! Work
more and laugh less; the pyre is not yet high enough. What does it avail
that you rose at early dawn in order to finish your daily tasks before
your companions, if you now only frolic instead of hastening the work on
the pyre? I am quite sure that more than one impatient look is being
cast up here from the valley below, and that more than one voice is
saying: 'What may they be up to on the hill that they do not yet give us
the signal? Can they be asleep as in winter?' I am certain such are the
serious suspicions that you are exposing yourselves to, you eternal
gigglers! Such are the pranks of your age. I know it, I should not blame
you; but remember that the days are short at this season; before our
good men shall have had time to lead the cattle back from the fields,
stalled the draft-oxen and the wagons, and put on their holiday clothes,
the sun will be down. We shall not be able to reach the monastery until
after dark, and the community expects the signal from us before sunset."
"A few more armfuls of dry wood, dame Odille, and all that will be left
to do will be to set it on fire," answered a handsome lassie of sixteen
years with blue eyes and black hair; "I shall take charge of lighting
the pyre; you will see how bold I can be!"
"Oh, Fulvia, your grandmother, my old friend the Bishopess, is right,
indeed, when she says that you are a dare-devil."
"My good grandmother is like yourself, dame Odille; her scoldings are
but caresses; she loves all that is young and gay."
"And I presume you act so crazily merely in order to please her?"
"Yes, dame Odille; because you must know that it costs me a good deal,
it is awfully hard for me to be gay! Alas! Alas!"
Public-domain text, read in full here on John Shaqi.
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