For was he not to pass the whole remainder of that blissful day in
Sylvia Futvoye's society? Were they not to cycle together (there were,
of course, others of the party--but they did not count), to cycle over
to Veulettes, to picnic there under the cliff, and ride back--always
together--in the sweet-scented dusk, over the slopes, between the
poplars or the cornfields glowing golden against a sky of warm purple?
Now he saw himself going round to the gravelled courtyard in front of
the hotel with a sudden dread of missing her. There was nothing there
but the little low cart, with its canvas tilt which was to convey
Professor Futvoye and his wife to the place of _rendezvous_.
There was Sylvia at last, distractingly fair and fresh in her cool pink
blouse and cream-coloured skirt; how gracious and friendly and generally
delightful she had been throughout that unforgettable day, which was
supreme amongst others only a little less perfect, and all now fled for
ever!
They had had drawbacks, it was true. Old Futvoye was perhaps the least
bit of a bore at times, with his interminable disquisitions on Egyptian
art and ancient Oriental character-writing, in which he seemed convinced
that Horace must feel a perfervid interest, as, indeed, he thought it
politic to affect. The Professor was a most learned archaeologist, and
positively bulged with information on his favourite subjects; but it is
just possible that Horace might have been less curious concerning the
distinction between Cuneiform and Aramaean or Kufic and Arabic
inscriptions if his informant had happened to be the father of anybody
else. However, such insincerities as these are but so many evidences of
sincerity.
So with self-tormenting ingenuity Horace conjured up various pictures
from that Norman holiday of his: the little half-timbered cottages with
their faded blue shutters and the rushes growing out of their thatch
roofs; the spires of village churches gleaming above the bronze-green
beeches; the bold headlands, their ochre and yellow cliffs contrasting
grimly with the soft ridges of the turf above them; the tethered
black-and-white cattle grazing peacefully against a background of lapis
lazuli and malachite sea, and in every scene the sensation of Sylvia's
near presence, the sound of her voice in his ears. And now?... He looked
up from the papers and tracing-cloth on his desk, and round the small
panelled room which served him as an office, at the framed plans and
photographs, the set squares and T squares on the walls, and felt a dull
resentment against his surroundings. From his window he commanded a
cheerful view of a tall, mouldering wall, once part of the Abbey
boundaries, surmounted by _chevaux-de-frise_, above whose
rust-attenuated spikes some plane trees stretched their yellowing
branches.
Public-domain text, read in full here on John Shaqi.
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