The Brass Bottle: A Farcical Fantastic Play in Four Acts — John Shaqi
The Brass Bottle: A Farcical Fantastic Play in Four ActsAnstey, F.
Science
The Brass Bottle: A Farcical Fantastic Play in Four Acts
Anstey, F.
Fantasy drama; Jinn -- Drama
These are only my private rooms. I shall be at my office in Great College
Street to-morrow, if you could look in then. [_Giving him card._] Here's
the address.
MR. WACKERBATH.
Good! [_He rises and moves towards window, while HORACE rings bell by
fireplace._] I'll look in on my way from Waterloo to the City. [_He
perceives that he is walking out on to a balcony, and turns._] How the
devil did I come in? I'll be with you at eleven sharp.
[_He goes towards the bedroom door
on the right._
HORACE.
[_At door to landing._] _This_ way, Mr. Wackerbath.
MR. WACKERBATH.
[_Vaguely._] I thought I came _that_ way. [_As he goes up._] I can see
already that you're the very man for me. [_At door to landing._] Now I must
be off, or I shall miss my train to Lipsfield. [_As HORACE offers to see
him downstairs._] Don't trouble--I can find my way down. Eleven sharp
to-morrow. _Good_ evening.
[_As he passes out HORACE touches
his back, as though half suspecting
him to be another illusion. MR.
WACKERBATH turns and shakes hands
effusively, then goes out, and
HORACE closes door._
HORACE.
[_To himself._] _He's_ no dream, anyhow! [_With exultation._] A client! A
real client of my own! At last!
MRS. RAPKIN.
[_Enters from landing._] Did you ring for me, sir?--or was it only to let
the gentleman out?
[_She comes down._
HORACE.
Oh, there _is_ something I had to tell you. We shall be _five_ at dinner,
not four. You can manage all right, eh?
MRS. RAPKIN.
[_Comfortably._] Lor, yes, sir. _That_ won't make no difference!
HORACE.
[_In front of table._] By the way, Mrs. Rapkin, you haven't let your
ground-floor yet, have you? To--to an Asiatic gentleman?
MRS. RAPKIN.
_Me_, sir? Let to a Asiatic! No,--nor wouldn't! Why, there was Rapkin's own
sister-in-law let her droring-room floor to one. And--[_darkly_]--reason
she 'ad to repent of it--for all his gold spectacles.
HORACE.
[_Relieved._] Ah, I _thought_ you hadn't. [_Sits on table._] Well, about
the waiting to-night? I suppose I can depend on Rapkin for that, eh? Where
_is_ he?
MRS. RAPKIN.
Well, sir, not to deceive you, he ain't back yet from his Public--Libery as
_he_ calls it.
HORACE.
Oh, _that's_ what he calls it, eh?
MRS. RAPKIN.
Whatever he's took, sir, you may rely on him to 'and the dishes without
'aving no accidents.
[_A noise is heard from the street
below, which gradually resolves
itself into an Oriental chant._
HORACE.
What's going on outside? [_He goes to window, looks out, and then starts
back uneasily._] I say. It's--it's devilish odd--but there seems to me to
be a whole caravan of camels down there!
MRS. RAPKIN.
[_Crossing to window._] Camuels, sir?
HORACE.
Public-domain text, read in full here on John Shaqi.
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