Dialect literature, American; German Americans -- Poetry; Humorous poetry, American; Wit and humor
shingling;, &c.; or, through a kindred change, both - bofe; youth
- youf; but mouth - mout'; earth - eart'; south - sout'; waiting
- vaiten;' was - vas; widow - vidow; woman - voman; work - vork;
one - von; we - ve, &c. And hence, by way of a compound mixture,
we get from him drafel for travel, derriple for terrible, a
daple-leck for a table-leg, bepples for pebbles, tisasder for
disaster, schimnastig dricks for gymnastic tricks, let-bencil for
lead-pencil, &c. The peculiarity of Germans pronouncing in their
mother tongue s like sh when it is followed by a t or
p, and of Germans in southern Germany often also final
s like sh, naturally produced in their American
jargon such results as shplit, shtop, shtraight, shtar,
shtupendous, shpree, shpirit, &c; ish(is), ash(as), &c.; and, by
analogy led to shveet(sweet), schwig(swig), &c. We need not
notice, however, more than these freaks of the
German-American-English of the present poems, as little as we
need advert to simple vulgarisms also met with in England, such
as the omission of the final g in words terminating in
ing (blayin' - playing; shpinnen' - spinning; ridin',
sailin', roonin', &c.). We must, of course, assume that the
reader of this little volume is well acquainted both with English
and German.
The reader will perceive that the writer has taken another
flight in "Hans Breitmann's Christmas," and many of the later
ballads, from what he did in those preceding; and exception might
be taken to his choice of subjects, and treatment of them, if the
language employed by him were a fixed dialect - that is, a
language arrested at a certain stage of its progress; for in that
case he would have had to subordinate his pictures to the narrow
sphere of the realistic incidents of a given locality. But the
imperfect English utterances of the German, newly arrived in
America, coloured more or less by the peculiarities of his native
idiom, do not make, and never will make a dialect, for the simple
reason that, in proportion to his intelligence, his
opportunities, and the length of time spent by him among his new
English-speaking countrymen, he will sooner or later rid himself
of the crudenesses of his speech, thus preventing it from
becoming fixed. Many of the Germans who have emigrated and are
still emigrating to America belong to the well-educated classes,
and some possess a very high culture. Our poet has therefore
presented his typical German, with perfect propriety, in a
variety of situations which would be imperceptible within which
the the dialect necessarily moves, and has endowed him with
character, even where the local colour is wanting.
In "Breitmann in Politics," we are on purely American ground.
Public-domain text, read in full here on John Shaqi.
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