"HANS BREITMANN GIFE A BARTY" - the first of the poems here submitted to the English public - appeared originally in 1857, in Graham's Magazine, in Philadelphia, and soon became widely known. Few American poems, indeed, have been held in better or more constant remembrance than the ballad of "Hans Breitmann's Barty;" for the words just quoted have actually passed into a proverbial expression. The other ballads of the present collection, likewise published in several newspapers, were first collected in 1869 by Mr. Leland, the translator of Heine's "Pictures of Travel" and "Book of Songs," and author of Meister Karl's Sketch -Book," Philadelphia, 1856 and "Sunshine in Thought," New York, 1863. They are much of the same character as "The Barty" - most of them celebrating the martial career of "Hans Breitmann," whose prototype was a German, serving during the war in the 15th Pennsylvanian cavalry, and who - we have it on good authority - was a man of desperate courage whenever a cent could be made, and one who never fought unless something could be made. The "rebs" "gobbled" him one day; but he re-appeared in three weeks overloaded with money and valuables. One of the American critics remarks: - "Throughout all the ballads it is the same figure presented - an honest 'Deutscher,' drunk with the New World as with new wine, and rioting in the expression of purely Deutsch nature and half-Deutsch ideas through a strange speech." The poems are written in the dull broken English (not to be confounded with the Pennsylvanian German) spoken by millions of - mostly uneducated - Germans in America, immigrants to a great extent from southern Germany. Their English has not yet become a distinct dialect; and it would even be difficult to fix at present the varieties in which it occurs. One of its prominent peculiarities, however, is easily perceived: it consists in the constant confounding of the soft and hard consonants; and the reader must well bear it in mind when translating the language that meets his eye into one to become intelligible to his ear. Thus to the German of our poet, kiss becomes giss; company - gompany; care - gare; count - gount; corner - gorner; till - dill; terrible - derrible; time - dime; mountain - moundain; thing - ding; through - droo; the - de; themselves - demselves; other - oder; party - barty; place - blace; pig - big; priest - breest; piano - biano; plaster - blaster; fine - vine; fighting - vighting; fellow - veller; or, vice versa, he sounds got - cot; green - creen; great - crate; gold dollars - cold tollars; dam - tam; dreadful - treadful; drunk - troonk; brown - prown; blood - ploot; bridge - pridge; barrel - parrel; boot - poot; begging - peggin'; blackguard - plackguart; rebel - repel; never - nefer; river - rifer; very - fery; give - gife; victory - fictory; evening - efening; revive - refife; jump - shoomp; join - choin; joy - choy; just - shoost; joke - choke; jingling -