American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
FELIX kept the little book in his desk, cultivated what he called the
“Bab Ballad manner,” and waited, sceptically, to see how long his luck
would last. In three weeks he was given a raise. But even this did not
quite convince him.
It had been too easy—too astonishingly easy. It had come about, not
because of any change in his character, not because he had ceased in
some miraculous way to be a moon-calf, but precisely because he was just
as much a moon-calf as ever. That was why he was compelled to suspect
the authenticity of his good fortune.
“Stop worrying,” Clive told him one day at lunch. “What in the world are
you afraid of?”
“That I’ll wake up,” said Felix.
“You’ll wake up, all right,” said Clive, “to discover that you’re being
underpaid and overworked just like everybody else. You know, you go
along looking as if you had had a telegram saying that your rich uncle
in Australia had died and left you a million dollars, and you didn’t
know whether to believe it or not. No one would guess to look at you
that this remarkable good fortune of yours simply consists of eight or
ten stiff hours a day for twenty-five dollars a week.”
This, to Felix, seemed an understatement of the merits of the situation.
For one thing, he had become very much attached to Clive, whose odd,
whimsical, theoretical conversation had a tang of its own; and this job
on the Chronicle yielded him the opportunity to enjoy Clive’s company,
though now on somewhat restricted terms.
Since Felix had become a reporter, taking his place as it were in the
ranks of a lower caste, he had begun to feel that his visits to the
editorial room were a kind of special privilege, which he endeavored to
justify by an occasional piece of writing suited to the editorial
page—some entertaining account of things seen in Chicago, the
by-products of his work as a reporter. Or, more likely, things not seen
at all, but pieced together out of his memory and hung on the slightest
thread of contemporary incident.... Once he attended a meeting of
“aurists,” and, with a reference to that meeting as a starting point,
meandered through a column of odd and curious lore about ears: the ear
as the organ of stability, by means of which we are enabled to stand
upright—with the story of the little crustacean which puts sand in its
ears, and upon whom some scientist played a mean trick, substituting
iron filings for the sand-grains, and then applying a magnet overhead,
with the result that the crustacean swam contentedly upside down!... In
short, anything that happened to interest him!
Public-domain text, read in full here on John Shaqi.
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