They had just time to catch the train. Felix gave her suitcase to the porter, and she took his hand. “Be good while I’m gone, Felix,” she said. “Don’t do anything awfully foolish. Good-bye.” She leaned to him and kissed him—a timid little kiss. And then they were clinging to each other in a stunned and breathless embrace, as if they had been flung violently into each other’s arms; they kissed, with a rude, strong, almost painful passion,—a kiss that hurt and could not hurt enough to satisfy them, and then become infinitely tender. It was a kiss that sought to annihilate time and space, to make them remember it and what it meant forever. “’Bo-o-o-ard!” said the conductor, and took Rose-Ann’s elbow and put her firmly on the step. She turned and smiled back at Felix, and the train started. ------------------------------------------------------------------------ Book Two Canal Street ------------------------------------------------------------------------ IX. How to Spend One’s Evenings 1 FELIX began the task of forgetting—a task for youth in its most fantastically stern mood:—of trying to forget that unforgettable moment on the station platform with Rose-Ann. Or at least, to behave as though it had not occurred. For he was convinced that neither of them had intended it to occur. It was obviously an accident—the mere mood of parting. It had meant nothing. It must be ignored. But it was hard to ignore. It was a moment to which memory would recur. It dramatized vividly for him the fact—to which he sought to adjust himself—of Rose-Ann’s absence. Rose-Ann’s absence made a great deal of difference, it seemed—and not only to himself. What she had predicted in regard to her dramatic class came true very quickly. Under Miss Clark’s fussy direction, all the fun was taken out of the work for everybody. Mrs. Perk looked on the altered face of things with an air of wry disapproval, and whispered to Felix, “Oh, it’s not the same place at all any more!” The children were listless. Paul froze into a silent rage at some unfortunate remark of Miss Clark’s about his scenery and left Community House, and Felix began to stay away from the rehearsals altogether. He wrote these things to Rose-Ann, and received brief replies which showed how remote all these matters had now become to her. He accepted the probability that Springfield had captured her for good and all this time. It was true that she always inquired in a friendly way about the things in which they had both been interested; but these weekly inquiries were tinged with a kind of faint retrospective glamour, as though to her these interests were already invested with the pathos of distance. She was evidently saying good-bye to her moment of freedom.