American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
Felix had heard of Eddie Silver’s epic drunkennesses. Another thing he
had heard was that Eddie Silver wrote poetry.... This was not so rare a
thing among Chicago reporters as Felix would have supposed. Two in every
dozen young reporters, as Clive had said, were poets of a sort. But, as
Clive had added, it was always of a tame and colourless sort. Eddie
Silver was not tame and colourless, whatever his poetry might be. Or
rather there was nothing tame about the Eddie Silver legend—though its
hero had appeared to Felix, whenever they met, to be the gentlest soul
alive.
Eddie Silver was having a dinner which consisted mostly of cocktails;
but he showed no signs of any of the alcoholic belligerency for which he
was famed; he seemed, on the contrary, likely to burst into tears at any
moment. He was in a soft poetic mood. He talked about poetry. He tried
to recite it. But the lines kept getting mixed up.
“Come on over my place,” he said, “we’ll read some Swinburne.”
He took Felix to a large furnished room a little to the north of the
loop, and propping himself on a couch with pillows, read “Poems and
Ballads” in a sonorous and unintelligible manner until midnight. He
invited Felix to come back the next evening for more Swinburne, and
Felix went away feeling that the legend had rather over-emphasized the
belligerent side of Eddie Silver’s character.... He came the next
evening, which was spent in precisely the same manner, ending with an
invitation to come in tomorrow evening for still more Swinburne.
Felix wondered if Eddie Silver read Swinburne every night.
Coming the third time, he found Eddie Silver’s room occupied by half a
dozen young men all more or less drunk.
“C’m’ on in!” Eddie Silver called from the couch, where he sat propped
with pillows as before, with a book in one hand and a glass in the
other. “On’y two bo’l’s o’ Swinburne left!”
He rose, and poured a glassful of whiskey for Felix.
Felix looked at the huge drink with an involuntary gesture of dismay.
“’S all right,” said Eddie Silver. “Nas’y stuff, I know! But you take it
’n’ you’ll feel better right away!”
Felix had never been drunk. He had never wanted to be drunk. But it
occurred to him that now was the proper time to have that experience.
He looked about the room. All these half dozen people were in that
state, so eloquently described by the poets, of being “perplexed no more
with human and divine.”
One of them was telling an incoherent story, and two others were
laughing in the wrong place and being told indignantly that that wasn’t
the point at all. Another was singing to himself, and not doing it very
well. Poor devil! he probably wanted to sing and nobody would let him
except when he was drunk. And still another was arguing with Eddie
Silver, who paid no attention to him whatever, about somebody named
John. “John means well,” he explained, with the air of one who
understands all and forgives all. “John just don’t know how, that’s all!
But he means well.”
Public-domain text, read in full here on John Shaqi.
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