Accident victims -- Fiction; Bridges -- Accidents -- Peru -- Fiction; Historical fiction; Peru -- Fiction
Uncle Pio did not allow himself to be discouraged. By dint of making
himself useful to the children, by taking a hand in the management of
the farm and by discreetly lending her some money he obtained his
entrance into the house and even into the presence of its veiled
mistress. But even then Camila, convinced in her pride that he _pitied_
her, lashed him with the blade of her tongue and derived some strange
comfort from heaping him with sneers. He loved her the more,
understanding better than she did herself all the stages in the
convalescence of her humiliated spirit. But one day an accident befell
that lost him his share in her progress. He pushed open a door.
She thought she had locked it. For just one hour a foolish secret hope
had come to her; she wondered whether she could make a paste of chalk
and cream to spread upon her face. She who had sneered so often at the
befloured grandmothers of the court wondered for a few moments whether
she had learned anything on the stage that would aid her now. She
thought she had locked the door and with hurried hands and beating heart
she laid on the coat, the grotesque pallor, and as she gazed into the
mirror and recognized the futility of her attempt she caught the image
of Uncle Pio standing in the door amazed. She rose from the chair with a
cry and covered her face with her hands.
"Go away. Go away out of my house forever," she screamed. "I never want
to see you again." In her shame she drove him out with blasphemy and
hatred, she pursued him down the corridor and hurled objects down the
stairs. She gave her farmer orders that Uncle Pio was forbidden to come
into the grounds. But he continued for a week trying to see her again.
At last he went back to Lima; he filled in the time as best he could,
but he longed to be by her as a boy of eighteen would long. At last he
devised a stratagem and returned up into the hills to put it into
effect.
One morning before dawn he arose and lay on the ground below her window.
He imitated in the darkness the sound of weeping, and, as nearly as he
could, of a young girl's weeping. He continued in this for the whole
quarter of an hour. He did not let his voice rise above that degree of
loudness which Italian musicians would represent by the direction piano,
but he frequently intermitted the sound trusting that if she were asleep
it would insinuate itself into her mind as well by duration as by
degree. The air was cool and agreeable. The first faint streak of
sapphire was appearing behind the peaks and in the east the star of
morning was pulsating every moment with a more tender intention. A
profound silence wrapped all the farm buildings, only an occasional
breeze set all the grasses sighing. Suddenly a lamp was lit in her room
and a moment later the shutter was thrown back and a head wrapped in
veils leaned far out.
"Who is there?" asked the beautiful voice.
Uncle Pio remained silent.
Camila said again in a tone edged with impatience:
Public-domain text, read in full here on John Shaqi.
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