He cherished a dislike, part cultivated and part subconscious, for
women. All his thoughts and emotions were celibate, chaste. Such a
scene had just ended, La Clavel was at her glass, busy with a rouge
pot and a scrap of soft leather; and Charles was standing stiffly by
the door. She had used, in describing him, a Spanish word about the
meaning of which he was not quite clear, but he had an idea that it
bore a close resemblance to prig. That specially upset him. At the
moment his dislike for her almost broke down his necessary diplomacy.
In an island of men desirous of her least favor--her fame transcended
seas and reached from coast to coast--he only, thinking less than
nothing of his privilege, had an instant unchallenged access to her.
He knew, carefully watched, all her various dependents: Calixto Sola,
the hairdresser, a creature with a sterile face constantly twisted
into painful grimaces; he was an employee in a barbering shop on
Neptune Street, too volatile for any convictions, but because of a
spiteful, injured disposition, not to be trusted. Then there was La
Clavel's maid, Jobaba, a girl with an alabaster beauty indefinitely
tainted by Africa. She was, Charles decided, the most corrupt being he
had ever encountered. Her life away from the St. Louis was incredibly,
wildly, debauched. Among other things, she danced, as the mulata, the
rumba, an indescribable affair; and she had connections with the rites
of brujeria, the degraded black magic of the Carabale in Cuba. She was
beautiful, with a perfection of grace, except for the direct gaze of
her brown eyes, which revealed an opacity, a dullness, like mud. She
was, even more than to La Clavel, the servant of Santacilla; she
reported, the dancer told Charles, every possible act and speech of
her mistress to the Spaniards, who, in return, supplied her with a
little money and a load of biting curses.
The chambermaid who attended La Clavel's room had lost a lover with
the forces of General Agramonte, and was of use to Charles; without
knowledge of the hidden actuality she yet brought him, unread,
communications for the patriotic party; and she warned him of
Santacilla's presence and uncertain humors. The laundress had been, in
her youth, an actress in the cheap local theatres, and, when she was
not sodden with drink, showed an admirable devotion to her famous
patron by the most delicate feats imaginable in ironing. She was
almost purely Spanish and had only a contempt for the Cubenos.
Public-domain text, read in full here on John Shaqi.
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