While Charles Abbott's duty was, on the surface, direct and easy, it was
complicated by the need for a constant watchfulness, a wit in countless
small details. Supporting, well enough, the boredom of his public
role, he had to manage with an unfailing dexterity the transmission of
the information that came to the insurrectionists through La Clavel.
These facts she gathered through the unguarded moments of Ceaza y
Santacilla's talk--he was close to the Captain-General and had
important connections at Madrid--and, at prolonged parties, from the
conversation of his intimates. Charles put these communications into
contracted written English sentences; in that way, even as against the
accidental chance of being, at any time, searched, he could better
convey their import; and gave them in carefully planned, apparently
incidental encounters, to any one of a score of correctly gloved and
boutonniered young men he had come to know by adroitly managed
assurances.
Charles had formed, as well, principally in the Cafe Dominica, a
superficial familiarity with other Americans in Havana for
banking or commercial purposes. They, regarding him as immensely
rich and dissipated, were half contemptuous and half eager for the
associations, the pleasures, of his mode of life. He went, as often
as it seemed necessary, to the United States Club on Virtudes Street,
where, together with his patriots, but different from them in a hidden
contempt, he gambled, moderately and successfully. His luck became
proverbial, and, coupled with La Clavel's name, his reputation soon
grew into what he intrigued for. Often, alone on the hotel roof,
he regarded himself with an objective amazement: everything was
precisely as he had planned, hoped for, on the steamer Morro
Castle--and entirely different.
It was probable that the death he had not, in imagination, shrunk
from, would crush him at any unexpected moment, an unpredictable slip;
but how could he have foreseen the trivial guise he would wear?
Charles was forced, it seemed to him, to ape every single quality he
hated. The spending of his money, as legitimately as though it were
exchanged for guns, on casual acquaintances and rum punches, on
gardenias that wilted and entertainment that choked him by its vulgar
banality, gradually embittered him. The insincerity of the
compliments he paid, the lying compliments to which he listened with
an ingenuous smile and an entire comprehension of their worthlessness,
steadily robbed his ideal of its radiant aloofness.
Public-domain text, read in full here on John Shaqi.
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