The Brochure Series of Architectural Illustration, vol. 06, No. 12, December 1900: The Cathedrals of EnglandVarious
History
The Brochure Series of Architectural Illustration, vol. 06, No. 12, December 1900: The Cathedrals of England
Various
Architecture -- Periodicals
THE BROCHURE SERIES
The Cathedrals of
England
DECEMBER, 1900
[Illustration: PLATE XCI LITCHFIELD CATHEDRAL FROM NORTHWEST]
THE
BROCHURE SERIES
OF ARCHITECTURAL ILLUSTRATION.
1900. DECEMBER No. 12.
THE CATHEDRALS OF ENGLAND
Such a general survey of the most representative English cathedrals
as is undertaken in the present article naturally leaves no space for
a detailed consideration of the various diversities of architecture
that they present, and future issues of this series will be devoted to
illustrating, individually, the various developments of the English
Gothic style. The characteristic features of the English Gothic
cathedrals, as compared with those of the Continent, and particularly
with those in France, are as follows:--
The English minsters are long, narrow and low in contrast with the
greater squareness and height of French contemporary churches. The
English transepts have bolder projections, and the number of side
chapels is smaller. The east end is almost invariably square. The
aisles are practically always single; Chichester is the only example
to the contrary. The central tower is a predominant feature; and a
single western tower is characteristic of English early churches.
Flying buttresses, though not uncommon, are not so prominent as in
French cathedrals. Doorways are more simple, placed in less important
positions, and often provided with a separate elaborate porch, as at
Salisbury. Window traceries, though developing along the same lines
as in France, finally evolve "Perpendicular" instead of "Flamboyant"
tracery. The beautiful fan-tracery vaulting is an important feature
of English Gothic, and is peculiar to it. The clustered shaft is a
special feature of the style. Great emphasis was placed by the English
architects on the development of mouldings; and the generally smaller
scale of English work lead to greater refinement and attention to
detail in carving.
[Illustration: CHICHESTER CATHEDRAL FROM NORTHEAST]
Perhaps the most striking difference between the English and the
Continental cathedral, is however, in its situation. Instead of being
almost invariably pressed upon and crowded by the streets and shops
of the city, the English minster is usually set about with great masses
of foliage, and wide stretches of lawn.
[Illustration: PLATE XCII CANTERBURY CATHEDRAL FROM SOUTHWEST]
The architectural significance of the various constructional dates
given in the brief historical synopses which follow, will be made clear
by reference to Mr. E. A. Freeman's tabulation of the English styles by
dates.
I. ROMANESQUE.
Saxon before 1066.
Norman 1066-1195.
Public-domain text, read in full here on John Shaqi.
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